Anthony R. Miller brings you part 1 of a 2 part series about some incredible shows coming in the 2014/15 season, this week he focuses on formal subscription based seasons:
In spirit of this month’s Theater Pub theme of preparing for the new theatre season, I decided to make a list of shows I was really excited to see. Not soon after beginning my research, I encountered a problem. I found myself with ten shows I was pretty excited about and half of them were part of a formal subscription based season and half were independent productions that were stand-alone events. So once again, I made this a two part series. Part 1 is five shows that are part of a formal subscription based season and in two weeks; Part 2 will cover independent standalone shows in 2014/15. To be clear, this list is written from the perspective of not a critic or prognosticator (Lord knows not as a journalist), but as a fan. Here are 5 shows in the formal 2014/15 that I’m really excited to see.
Slaughterhouse 5-Custom Made Theatre Co.
Sept 16-Oct 12, 2014
In 1996, playwright Eric Simonsen adapted and directed Kurt Vonnegut’s time jumping, dark comedy, absurdist war novel for the stage at Steppenwolf Theatre in Chicago. This play is being performed in the Bay Area for the first time and is being directed by Custom Made’s Artistic Director Brian Katz. As a longtime fan of the book, I have often wondered how this could translate to the stage, and thanks to awesome folks at Custom Made, I shall wonder no longer.
Yeast Nation (The Triumph of Life)-Ray of Light Theatre
October 3rd-November 1st, 2014
The last few years, Ray of Light Theatre has been making a name for itself as one of the few companies in the Bay that focus exclusively on musicals. After years of doing well known contemporary classics and some cult faves as well, Ray of Light made a gutsy move and scheduled two shows that were practically unknown. The first was Triassic Parq, the next is; Yeast Nation, a new Musical by Greg Kotis and Mark Hollmann of Urinetown fame. Now what makes this production super cool is that under the direction of Artistic Director Jason Hoover, the writers themselves have been here work shopping the piece. This is a fantastic opportunity for a local company that is still very much on its way up. And we get to see a brand spanking new show by the guys who wrote everyone’s favorite musical in college.
Our Town-Shotgun Players
December 4-January 11, 2014
Fact: The Ashby Stage is three blocks from my house; it’s ridiculous that I don’t see everything they do. That said, I will definitely be making the treacherous five minute walk from one end of the Ashby Bart to the other to see this show. I can’t entirely explain my fondness for Our Town, its schmaltz, but it’s really well written and often profound schmaltz. And in a time such as now when our lives are a Facebook status roulette of bad news, Our Town is a bastion of simplistic comfort. The Ashby stage is a great place for it and I’m excited to see what Shotgunny twists they put on it. (ie how many mandolins will be used) Consider me already in one of their church pews watching what Award winning Director Susannah Martin and co. does with this even-when-it’s-bad-it’s-still-pretty-good chestnut.
X’s and O’s (A Gridiron Love Story)-Berkeley Rep
January 16–March 1, 2015
For the minority of theatre folk who also love football, we’ve long lamented the lack of plays about Football, because it’d be ridiculous. Now Berkeley Rep brings us, the always lively topic of traumatic head injuries suffered by Football players. For reals though, these stories are heartbreaking. And it’s an amazing examination of the very-men portrayed as god-like gladiators on TV every Sunday. Based on real interviews with players and their families, I’m excited to see these tragic stories brought to light and given a voice. I will probably cry. Playwright K.J. Sanchez just had a huge hit Off-Broadway called ReEntry which focused on the stories of Marines returning from combat. Another completely rad thing about this production is it was commissioned and developed right here in the Bay as part of Berkeley Reps Ground Floor program, which is dedicated the creation and development of New Work.
A Little Night Music -ACT
May 20-June 14, 2015
It would seem we are at a Sondheim saturation point here in the Bay Area. Last year, Ray of Light gave us Into the Woods (following up last year’s production of Sweeney Todd), and this year, SF Playhouse followed up by producing… Into the Woods and for good measure next season they are producing Company. Throw in a big screen adaptation of Into the Woods that nobody has seen but everyone already hates, and you’d gotta be crazy to jump into the Sondheim mosh-pit that is Bay Area theatre, but that’s just what ACT (The Company We Love to Hate) has done. Now let’s make something clear, I love the shit out of this show. It’s the Pitchfork Magazine pick of the Sondheim catalog, not his most commercially successful, but arguably his biggest artistic triumph. It’s sophisticated, dripping with subtext (There’s a 17 minute trio of songs about sex for god’s sake) and easily my favorite of Sondheim’s work. The fact that it is written completely in Waltz beat makes it stand out not only amongst his work but amongst most popular musical theatre. It’s grand and majestic but with remarkably vulnerable characters. Not to mention, “The Quintet” that acts as a brilliant narrative device and actually sings the overture. (Authors Note: this went on for 17 more pages and included a story about how I explained the song “Send in the Clowns” to my Dad, but was omitted for brevity.) ACT has a golden opportunity to do a not-as-famous Sondheim piece and stand out amongst the glut of audience friendly Sondheim shows by knocking this out of the park, let’s see what they do with it.
See you in two weeks with my picks for Standalone/Independent production of the 2014/15 season!
Anthony R. Miller is Writer, Director, Producer and the guy who won’t stop calling you about renewing your theatre subscription. His show, TERROR-RAMA opens in October.