Stop reading about the film version of “Into The Woods” and read this instead- it’s Allison Page!
My big problem now isn’t inspiration, it’s dread of content. Let’s say you’ve got the ingredients for two pie recipes – one is for a Chocolate French Silk pie and one is for a Personal Fears And Worst Parts Of Yourself Plus Chocolate Shavings pie. They both contain some chocolate, but the first one sounds less painful to make, right? That’s what’s going on with me right now. I’m keenly aware of what I should be working on. I have 75% of a draft of a play that’s really important to me and is filled with lots of real shit. And it’s been 75% done for months. I haven’t touched it since February. I NEED a completed draft this month, and it currently has no ending. A play should probably have an ending, so they tell me. And then I have this other play. I have a fully completed draft, I’ve had a reading of it, and I don’t *need* to make the necessary revisions until fall. But I’d much rather work on that, than the more pressing script. Who wouldn’t choose a juvenile horror comedy with a mythical beast to work on over something that so closely relates to their own demons, and the demons of people who have been close to them?
Overall I think it’s a cop-out to say that you can’t write anything unless you’re in the mood or feeling inspired. Maybe I say that so that I can convince myself not to wait for inspiration, knowing that I’m so lazy I might never get around to feeling inspired. (I enjoy playing tricks on myself to force myself to work. I do it all the time. Just setting bear traps around my apartment to create a sense of urgency. You know, regular stuff.) But dreading the content isn’t much different from “not feeling inspired” if the end result is the same – not getting shit done. I’ve been primarily writing comedy for the last several years, which is obviously fun. Even when it’s hard, it’s fun. You know what’s not always fun? Writing a character that you love who is completely sabotaging their own potential for happiness. UGHHHHH, RIGHT?!?
’m hoping this is one of those situations that I’ll later look back on and say “That was really hard but SO WORTH IT.” and not “That was just really hard. Pass the bourbon, stranger.” I feel bad even talking about it, somehow or other people write way more exhausting/personal/tragic/depressing/catastrophic stories than the one I’m working on. I recently saw a production of The Crucible (while in the middle of pondering this topic) and thought “Yowza. Imagine writing all that misery.”
Or Titus Andronicus…that couldn’t have been a good headspace for Shakespeare to live in. Ah, to be a fly on the wall of those therapy sessions. I guess that’s part of the toil of being a playwright – not always wanting to live in the world you’re building, and worrying that it’ll take you somewhere you’re afraid you’ll never be able to leave. This isn’t just a problem writers face, but something actors can get stuck in too, obviously. I’ve done some heavy actor-brooding in the past. Antigone wasn’t exactly a giggle-fest.
That probably sounded pretty grim. In actuality, I’m really excited about this play – it’s just not easy. There is plenty of humor in it, but I’ve got that part down. It’s the other icky-sticky-dark-murky stuff that needs my attention.
PS. If you see me looking forlorn, staring down at the sidewalk…buy me a cookie.
Allison Page is an actor/writer/director/whatever and you can follow her on Twitter @allisonlynnpage.