With Pint Sized plays just around the corner, we’re continuing our series of profiles of this year’s writers. This time we have one Theater Pub first-timer, Daniel Ng, one writer who has developed his piece with Theater Pub, Christian Simonsen, and a returning collaborator, Kirk Shimano, who authored last year’s world premiere production of Love In A Time Of Zombies, but makes his Pint Sized Plays debut this year.
So how did you hear about Theater Pub’s Pint-Sized Play Festival and what possessed you to send something in?
Kirk Shimano: I’ve been fortunate to work with Theater Pub in the past and have seen previous iterations of the Pint-Sized Play Festival, so it’s something that’s been on my radar for awhile. I happened upon an NPR story about a robot that vomits…for science! (his name is “Vomiting Larry”, in case you’re curious) and suddenly I had the perfect beer drinking robot play idea to submit.
Christian Simonsen: My short script “Last Man Sitting” was part of “Occupy Theater Pub!” back in 2012, and that was an awesome experience. So I always have wanted to work with this group again.
Daniel Ng: I was introduced to Theater Pub by friends Karen Offereins and Brian Markley and have enjoyed many Pint-Sized and other Theater Pub performances. Pint-Sized is the perfect venue for newcomers like me, so I’ve wanted to submit something for a while.
What’s the hardest thing about writing a short play?
Kirk Shimano: It’s a challenge to get the audience up to speed and ready to start the story in as short a time as possible. If you’ve spent a page in exposition you’ve already wasted too much of your audience’s time.
Daniel Ng: I mainly write short fiction and memoir, so everything about playwriting is a new challenge. The hardest part is envisioning the physical interactions of the actors and then giving the director and actors enough information to make it work, while allowing them freedom to bring it to life in their own way.
Christian Simonsen: The tangible limitations. The script’s length, obviously, and most short play festivals also limit the number the actors, props, etc. You are forced to get to the point, both intellectually and dramatically, as quickly as possible. The monologue you write in the first draft will often be replaced by one well-chosen word or gesture. Sometimes I pass the medium’s limitations on to my characters: If my script can only be five minutes long, It helps to make it clear right away to my protagonist that the Sea Monster or Jealous Boyfriend is ON HIS WAY!
What’s the best thing about writing a short play?
Christian Simonsen: The best thing is also the hardest thing… the limitations! They keep me focused, and force me to decide what my script is really, truly about. Also, modern audiences tend to respond well to short plays. Perhaps they reflect our fast-paced society; Drama-On-The-Run.
Daniel Ng: The short length forces you to get to the point and stick to it–there’s no room for fat or fluff.
Kirk Shimano: I think that you really just need one strong idea to sustain a short play. It makes for a very immediate writing experience, where I just need to find one exciting concept and then run with it.
Who do you think is a major influence on your work?
Daniel Ng: My major influences are from sci-fi and speculative fiction–J. G. Ballard and Borges for their abstract, metaphorical psychodrama. Also Samuel Delaney for combining poetic narration and earthy dialogue.
Kirk Shimano: I have a much thumbed through copy of David Ives’s “Time Flies and Other Short Plays” that taught me a lot about how imaginative you can be in a very short time. I always find myself thinking about Stephen Sondheim songs as well, because a lot of his best songs are as deep as any short play I could hope to write.
Christian Simonsen: Sadly, one of the writers who influenced me the most died recently: Richard Matheson. He was a crowd-pleaser, so academics ignored him. But his fiction exposed my own fears of mortality, alienation and loneliness far better than many so-called High Brow authors ever could.
If you could pick one celebrity to be cast in your show, who would it be and why?
Daniel Ng: Simon Pegg, no question. He does nerdy, manic, and exasperated so well and he has perfect comedic timing.
Christian Simonsen: Amy Poehler; there’s a darkness underneath her comic energy that’s often unsettling. In a previous era, I would have gone with Madeline Kahn.
Kirk Shimano: This is going to be a bit of here-and-now bandwagon jumping, but I’m going to say Melissa McCarthy because she just makes anything she’s in ten times better to watch.
What is a writing project you are currently working on?
Kirk Shimano: For a few years, I’ve been working on a full length play that uses Japanese fairy tales as a way of exploring online dating, Japanese-American history, and a bunch of other topics that I’m not yet sure are connected, but that I think might work together. I’ve been letting it marinate for a few months and I’m eager to return to that world soon.
Christian Simonsen: I’m finishing up another short stage play, and I’m co-writing a multi-media project. Then I plan on writing my second feature length screenplay, which will be in my favorite genre, Horror.
Daniel Ng: A short story, but *stage whisper* it’s top secret. The idea is so original that I am worried someone from Hollywood might steal it from me. It’s about zombies. Okay, not so original there. But seriously, it’s a zombie story, but with a twist that I don’t think has been done before.
What’s next for you?
Kirk Shimano: I have a short play in “Lawfully Wedded” by Wily West Productions. Morgan Ludlow has interwoven work by Alina Trowbridge and me with his own stories about the state of marriage equality. It runs from July 25 to August 17, in repertory with “Gorgeous Hussy.”
Christian Simonsen: I’ll be acting in “The Twilight Zone Live: Season X” at The Darkroom in San Francisco on July 12th and 13th.
Daniel Ng: I’m planning some pieces for my friend Martin Azevedo’s next Musical Emergency in September. He puts on these brilliant musical theater events that are a combination of open-mic and collaborative musical potlatch. They are wildly creative and just a ton of fun.
So what upcoming shows or events are you most excited about in the Bay Area Theater Scene?
Christian Simonsen: Many, including The SF Olympians Festival, and All Terrain Theater’s “Babies: The Ultimate Birth Control”.
Kirk Shimano: I’m always excited about the San Francisco Olympians festival – and not just because I have a play about drag queens to present this year. It’s always great to see how much of the community supports it and I can’t wait to see the final versions of the bits and pieces that I’ve already gotten to hear.
Daniel Ng: It’s a little ways off, but I’m really looking forward to Custom Made Theatre’s production of “The Pain and the Itch” opening January 2014. The Gough Street Playhouse is such a wonderful space.
What’s your favorite beer?
Daniel Ng: Guinness–at some bars it’s the only thing to eat.
Krik Shimano: I wasn’t really a beer drinker until I spent a semester studying overseas in Japan, so I always enjoy sipping a Sapporo and thinking of that time.
Christian Simonsen: Corona, but don’t tell my British friends.
You may have heard it’s our last show at Cafe Royale. What do you look forward to for the future of Theater Pub?
Christian Simonsen: I will miss Café Royale; it has been a near perfect setting for a large variety of productions. But I’m sure there are a lot of odd nooks and crannies in the city that can be transformed into live theater!
Daniel Ng: I hope that a new venue or even multiple venues will attract new people to join Theater Pub’s loyal fans. I’m pretty excited about the possibilities of different kinds of spaces that will allow Theater Pub to evolve and expand in unpredictable ways, not unlike a slime mold or exotic parasite.
Kirk Shimano: I’ve always enjoyed the freedom and innovation of Theater Pub, so I’m looking forward to seeing how the change of venue opens up the possibility of even more new opportunities.
Don’t miss Pint Sized Plays IV, playing five times this month: July 15, 16, 22, 29 and 30, always at 8 PM, only at the Cafe Royale! The show is free and no reservations are necessary, but we encourage you to get there early because we will be full!