John Lowell, who is one of three actors in “Shooter”, talks about the play, his process and creating a role in the next Theater Pub show.
Give us a brief impression of who you are, in a hundred words or less.
I was born and raised in Portland, OR and I’ve lived in San Francisco on and off for a combined twenty years. I’ve also lived and worked in parts of Europe, Asia and E. Africa. I acted in and developed plays as a kid but moved away from it until years later when I took a theater class to balance out the dry world of business school. It was like the flood scene in “O Brother, Where Art Thou?”; it swept me away, limbs flailing with joy. Thank God.
John Lowell, lost in the flood.
Is this your first time working at BOA? What’s that like? If it it’s not your first time, what brought you back to such a unique festival setting?
It is my first time with BOA. The perception that drew me to it is proving to be the reality – a diverse and exciting set of plays and artists coming together. I’m loving it so far.
You’re the first people to appear in a production of “Shooter”- what’s the best thing about “creating” a role this role as an actor?
I always try to either avoid watching previous versions of a role or if I’ve already seen some to file those images away and approach it as freshly as possible. So for me it’s great to be able to come to it initially with only the images that have developed from reading the script and build from there.
Are there any challenges?
Not so much from being the first to do it (per above), but specific to this role I’m finding entering this character’s world to be emotionally difficult. But I cherish opportunities to take artfully written material and immerse myself in the character, whoever they may be.
What’s been a particularly interesting element of this rehearsal process?
This piece is constructed in a way that is sort of like a dance where the dancers are unaware of each other yet connected. Excited by where this can go.
“Shooter” is an ensemble piece. How does being in an ensemble piece differ from, say, playing a lead in a show, or having a “minor” role?
It’s interesting to remove those usual elements, made more so by the fact that our stories unfold intertwined but without conscious acknowledgement of each other. But we naturally at some level acknowledge and are affected by each other. And our dialogue is connected.
Do you get a chance to see the other shows in the Festival this year? Anything got you excited besides your own?
Will try to see all I can. The read-throughs made me want to see all of them.
What about in the upcoming theater season in general?
So much I’d like to see but I need to get out there more.
What’s next for you?
I’m excited to be in another play at BOA, “Break of Day” by Jeff Carter, directed by Brian Trybom, acting with Shane Fahey. I will be doing a reading of Blood of My Subjects by Richard White with PCSF on 10/14, and also doing the 24-Hour Play Fest with PCSF on 9/28. I’m assistant directing on the next production at Tides Theatre, Gruesome Playground Injuries by Rajiv Joseph, directed by Jennifer Welch and featuring Cary Cronholm Rose and Wylie Herman, running 10/10-11/09.
“Shooter” will play, along with an assortment of other excellent one-acts in this year’s festival, September 15, 19, 21, 25, 27, 29 and October 3 and 5 at the Tides Theater in San Francisco. To find out more about this show, and all the great shows that will be a part of this cornerstone event for the San Francisco Bay Area Theater scene, check outhttp://bayoneacts.org/.