Theater Around the Bay: Jake Arky of “Julie Kopitsky’s Bat Mitzvah”

Next in our series of interviews with the folks behind the 2016 Pint-Sized Plays: writer-director Jake Arky of “Julie Kopitsky’s Bat Mitzvah”!

“Julie Kopitsky’s Bat Mitzvah” is a comedic monologue by a 36-year-old woman who’s finally stopped her hard-partying ways long enough to complete the Jewish rite of passage. Noemi Zeigler Sanchez stars as Julie.

As Jake is the only writer/director pulling double duty this year, he’s answered BOTH our playwright questionnaire and director questionnaire… and sometimes his playwright-self and director-self seem to have differing opinions.

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Jake Arky, he writes AND directs!

Playwright Jake, how did you hear about Theater Pub’s Pint-Sized Play Festival and what possessed you to send something in?

Playwright Jake: I bumped into Alejandro Torres, who I had acted with in another Theater Pub show, I Like That, on the street and he mentioned he was producing Pint-Sized this year. I asked if I could send him a monologue that I had just been thinking about writing. He said yes, so I guess I was on the hook to write something good and lo and behold, it made the cut.

And, Director Jake, how did you get involved with Pint-Sized?

Director Jake: I wrote a deadly play and when no one else was brave enough to touch it, I bravely stepped up to the plate to wrestle it into the work of art you’ll see on stage.

What’s the hardest thing about writing a short play?

Playwright Jake: Keeping it a short play.

What’s the best thing about writing a short play?

Playwright Jake: Cut to the action.

What’s been the most exciting part of directing this play?

Director Jake: Rehearsals and just discovering everything the play can turn into.

What’s been most troublesome?

Director Jake: Trusting myself as a director, especially since it’s a new hat I’ve been wearing only in the last year.

Who or what are your biggest artistic influences?

Playwright Jake: TV. Lots of TV.

Who’s your secret Bay Area actor crush?

Director Jake: They know who they are.

If you could cast a celebrity in your Pint-Sized Play, who would it be and why?

Playwright Jake: Louis C.K. and Kate McKinnon, for obvious reasons.

Director Jake: The cast of The Wire. Like, every single person that was ever on that show.

What other writing/directing projects are you working on and/or what’s next for you?

Director Jake: I’m the Drama Director at a high school on the Peninsula and I’ll be directing Assassins in a brand new theater space this fall.

Playwright Jake: A play about helicopter parents who kill their children when they aren’t perfect. It’s a comedy!

What upcoming shows or events in the Bay Area theater scene are you most excited about?

Playwright Jake: All of them.

Director Jake: Anything coming up at PianoFight.

What’s your favorite beer?

Playwright Jake: Stone’s Smoked Porter.

Director Jake: Stone’s Smoked Porter.

See “Julie Kopitsky’s Bat Mitzvah” and the other Pint-Sized Plays at PianoFight on August 15, 16, 22, 23, and 29!

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Working Title: Pint Sized Recommendations…or One Llama to Rule them All

This week Will Leschber discusses Pint Sized Play Festival film pairings with Stuart Bousel, Emma Rose Shelton & Rob Ready.

Reflecting on this year’s upcoming Pint-Sized Play Festival has led me to realize what I miss about being at university. The constant consumption of new things and new ideas is the lure, and, of course, those things are generally missed. But the crux, the essential thing that I pine for, is the structured ascension. You feel as if your path is laid before you and that you are constantly improving and growing as you walk down the road towards knowledge…or maybe the road was just leading to semester’s end. Either way, it’s easy at times in our daily lives, our daily grinds, to feel stagnant and/or circling or floating with less aim than we used to know in the past. There is an absence of hope in aimlessness. But the powerful thing is that we are all moving forward, and the trick is to remind yourself that your constant road can be one that ascends, if you mind the way. Nothing like an annual event to rock us back to reflection…or maybe drinking like we are college kids!

Of all the pints, in all the bars, in all the world…you had to laugh into mine.

Of all the pints, in all the bars, in all the world…you had to laugh into mine.

It is time again for the Pint-Sized Plays. This jovial event comes but once a year and it is glorious. A fruitful fun evening that turns over a handful of laughs in the time it takes to finish a beer. This may not obviously link to an evening of what you may call ascension… but many things can be found in the swirls of a pint glass. The quick cycle of the night is part of the allure. If this play isn’t for you, finish your beer and worry not, for another play is 10 minutes away…and maybe another beer too. 😉 Our constant companion in the years that we’ve seen Theater Pub’s Pint Sized Plays has been the Llama. His pint consumption knows no bottom. His wisdom knows no limits. And his beard is just spectacular.

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The three pillars of this year’s Llamalogue who I had the pleasure to speak with are Stuart Bousel, Theater Pub’s Executive Director, Bay Area Ringmaster and playwright of the infamous Llamalogues; Emma Rose Shelton, all-around wonder woman and director of this year’s “Llama VI”; and of course, Rob Ready, Artistic Director of PianoFight and the amazing aforementioned bearded Llama himself.

To get you in the headspace of the Llama (oh God NO…you say…don’t worry, it’ll be OK…this will all wear off in the morning) and the Pint-Sized Plays in general, we have three recommended film pairings to play along with the festival’s themes and schemes.

Lets start with the the Rob-a-Llama recommendation…ready, steady, drink and go!

The Apartment, the 1960 classic directed by Billy Wilder and starring the splendid Jack Lemmon and stunning Shirley Maclaine… To move up the ladder at work, Lemmon lets executives use his apartment for their affairs… hilarity and heartbreak ensue. It’s kind of a similar aesthetic and tone [to our dear Llama]…Lemmon does a ton of over-the-top physical comedy in the role while also coming off as a grounded, fully-fleshed-out person with a big heart. Most of the film is really funny, but there are parts that just tear at your heartstrings. And I think that’s roughly what the Llamalogues aim to do.

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Well said, and great recommendation! Now let’s hear what Llamalogue director Emma Rose Shelton has to pair with the indomitable Llama…

Groundhog Day, the 1993 Bill Murray comedy classic… There’s something about Bill Murray’s character coming back each time needing to learn the same lesson and just failing miserably at it. Something about him trying to figure his shit out while being lovably melancholy and self-loathing reminds me of our Llama.

God I love that Punxsutawney Phil. Don't drive angry. Don't drive angry!

God I love that Punxsutawney Phil. Don’t drive angry. Don’t drive angry!

OK, last but not least since this is supposed to be the length of a beer…a slowly nursed beer. Let’s get to Stuart Bousel and close this mother out. Bousel brings to the table a beautiful and less well-known film…but boy is it a treat.

Sally Potter’s Orlando, 1992… Sally Potter, perhaps one of the most underrated filmmakers in the world, is one of my favorite directors, and her film adaptation of Virginia Woolf’s Orlando is, like the source material, many many things. For me, the film is about finding your place in the world, and not just the world, but time itself, coming to terms with the infiniteness of human experience but also the limited scope of any one life, including your own. Or in less fancy speak: it’s about accepting your own mortality, and by doing so, finally beginning to really live. It’s no big secret Theater Pub is coming to an end this year, though Pint-Sized may continue. Will the Llama continue with it? I rather hope so. But I have already decided it won’t be me writing it anymore. So this last Llamalogue is my kiss goodbye to this incredible, rewarding, and demanding period of my life that I’ve loved living through and am also looking forward to having behind me so I can move on to other things. As the angel sings at the end of the film, while Orlando and her daughter watch: I am being born, and I am dying.

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That rounds out this pint. I promise the night of Pint Sized Plays at PianoFight is hugely entertaining and there will be more laughs and guffaws than bittersweetness…but like any good night of entertainment the presence of both light and dark will be in attendance…or possibly ascendence.

The season’s change is upon us, as it ever is. Soak it in. It goes fast. This is the last Llamalogue as we have come to know it. Come out, have a beer, a laugh and nod to see the shadow of the Llama pass. You know what they say about a Llama who sees his shadow…or maybe that is something else. This shadow pint is for you, Llama.

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Editor’s note: our Pint-Sized Tzarina, Marissa Skudlarek, points out that this is the first year of Pint Sized where we have THREE one-person shows. Says Marissa:

Three of the 11 plays in this year’s Pint-Sized Play Festival are one-person shows. In addition to the return of the drunken llama played by Rob Ready, a beloved character who has appeared in every Pint-Sized Festival since 2010, we’re telling the stories of two women who are on the brink of major life changes. There’s the title character of “Julie Kopitsky’s Bat Mitzvah” by Jake Arky: at the age of 36, Julie has finally earned the right to call herself an adult by the standards of her Jewish faith. And there’s Meredith — or should we call her Olivia? — in Caitlin Kenney’s “Why Go with Olivia?”, a woman who’s preparing to cut ties with her old life and start anew.

Julie, the Llama, Meredith… they’ve all been around the block a few times. They’re adults, thirtysomethings, with histories and backstories and opinions. And yet they don’t always make the right choices, especially when pints of beer are involved. They are brash, opinionated, and very fun characters, but they’re also all seeking meaning and fulfillment in their own ways. I know, that sounds like a lot to ask from a proudly self-proclaimed slut who gets drunk at her own Bat Mitzvah, or a woman whose quest for a new life means turning her back on everything that came before, or a boozy llama who started out in 2010 as an absurdist sight gag. But it also happens to be true.

Don’t Miss Pint Sized Plays VI, playing 8/15, 8/16, 8/22, 8/23, 8/29, 8 PM, only at PianoFight! 

Theater Around the Bay: Announcing the 2016 Pint-Sized Plays

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Theater Pub is thrilled to announce that our Pint-Sized Play Festival returns this August for FIVE performances at PianoFight — August 15, 16, 22, 23, and 29. That’s right, we’ve added a fifth performance by popular demand!

The Pint-Sized Plays – short plays by Bay Area playwrights that take place in a bar and involve characters drinking beer – have been Theater Pub’s flagship event since 2010. This year, producer Marissa Skudlarek and deputy producer Alejandro Emmanuel Torres are pleased to present 11 new plays by a mix of Theater Pub veterans and new faces.

Many of the 2016 Pint-Sized Plays deal with endings and beginnings. A man and woman meet to sign their divorce papers in “No Fault,” by Christian Simonsen. In Marissa Skudlarek’s “Cemetery Gates,” two moody and self-dramatizing teenagers sneak into the bar, while in Shirley Issel’s “Angel of Darkness,” Death himself comes to the bar and targets an unsuspecting patron.

Two one-woman shows depict women on the brink of major life changes: “Julie Kopitsky’s Bat Mitzvah” by Jake Arky features a 36-year-old woman who has finally become an adult according to Judaism, while Caitlin Kenney’s “Why Go With Olivia” is about a woman who’s ready to put her old life behind her and start anew.

National and world politics are on everyone’s mind this summer, so some of this year’s Pint-Sized Plays have a political bent. “Polling Place,” by Gabriel Bellman, satirizes the anxieties and rhetoric of the 2016 election, while in “Don’t I Know You,” by Elizabeth Gjelten, a woman confronts the trauma of her past in a war-torn country.

On the lighter side of things, “Beer Culture” by James Nelson satirizes just how snobby San Francisco millennials can be about microbrews, and “Where There’s a Will” by Tanya Grove pays tribute to Shakespeare in this #Shakespeare400 year by imagining his visit to a modern-day bar. Alan Coyne’s “Bar Spies” presents a dizzying array of false identities and double-crossings in a spy-fiction pastiche

As always, Pint-Sized Plays’ mascot, the drunken llama played by PianoFight’s Rob Ready, will return with a new “Llamalogue,” written by Stuart Bousel.

Full lineup of plays, with a quote from each, is as follows:

“Julie Kopitsky’s Bat Mitzvah,” written and directed by Jake Arky—“After the bar mitzvah…it’s just the bar. Okay, so technically this is a bat mitzvah, but let’s not split hairs, yeah?”

“Polling Place” by Gabriel Bellman, directed by Megan Briggs—“What if I did choose a candidate based solely on whether they share certain characteristics with me or not, does that mean I’m voting for myself? Because I’m terrified of narcissists.”

“Llama VI” by Stuart Bousel, directed by Emma Rose Shelton—“Look, I hate tradition as much as the next person, okay? But one day, probably, I won’t be here—and you’re gonna miss that.”

“Bar Spies” by Alan Coyne, directed by Juliana Lustenader—“You asked for this meeting. I have what you want. Tell me what I need to know, or there’s no deal.”

“Don’t I Know You?” by Elizabeth Gjelten, directed by Jimmy Moore—“Here I am, a long way from home, and I see this one here, and I swear, we shared a beer. Back home. Maybe at Salim’s?”

“Where There’s a Will” by Tanya Grove, directed by Vince Faso—“Thou thinkest thy sisters arranged a meeting but never had intention of coming hither? Forsooth, wherefore this deception?”

“Angel of Darkness” by Shirley Issel, directed by Jamie Harkin—“He’s probably going to finish that beer; and when he does… Are you listening? You’re gonna die. So, what are you drinking?”

“Why Go With Olivia?” by Caitlin Kenney, directed by Vince Faso—“I have accepted a new job and would like to pursue this without you beginning September 1st. This does not mean I want a long-distance relationship. Or much continued contact at all.”

“Beer Culture” by James Nelson, directed by Neil Higgins—“I’m really not cool about what just happened. He was going to drink a Stella! At my table! What would people say?”

“No Fault” by Christian Simonsen, directed by Alejandro Emmanuel Torres—“Look, if you haven’t read it, you shouldn’t sign yet. Nothing’s changed regarding Wendy. Still joint custody.”

“Cemetery Gates” by Marissa Skudlarek, directed by Adam Odsess-Rubin—“Every time you look at someone you love, you know they will never be more beautiful than they are at that moment, because they will never again be so young.”

The Pint-Sized Plays acting company will feature the talents of Layne Austin, Andrew Chung, Lisa Darter, Nick Dickson, Daphne Dorman, Caitlin Evenson, Sailor Galaviz, Jamie Harkin, Colin Hussey, Sarah Leight, Alexander Marr, Kyle McReddie, Brett Mermer, Courtney Merrell, Rob Ready, Paul Rodrigues, James F. Ross, Amitis Rossoukh, Jessica Rudholm, Ron Talbot, and Noemi Zeigler Sanchez. (Additional casting TBA.) Logo designed by Cody Rishell.

The Pint-Sized Plays will perform five times: August 15, 16, 22, 23, and 29 at 8 PM at PianoFight, 144 Taylor St, San Francisco. Admission is FREE to all performances. For more information, please visit www.sftheaterpub.com.

Theater Around the Bay: Announcing the 2016 Pint-Sized Play Selections

We are proud to announce the lineup for the 2016 edition of Pint-Sized Plays, our annual bar-specific short plays festival!

From over 45 submissions from Bay Area playwrights, we’ve chosen the following scripts:

Julie Kopitsky’s Bat Mitzvah by Jake Arky

Polling Place by Gabriel Bellman

Bar Spies by Alan Coyne

Don’t I Know You by Elizabeth Gjelten

Where There’s a Will by Tanya Grove

Angel of Darkness by Shirley Issel

Why Go With Olivia by Caitlin Kenney

Beer Culture by James Nelson

No Fault by Christian Simonsen

Cemetery Gates by Marissa Skudlarek

In addition, we are pleased to say that Pint-Sized 2016 will see the return of Rob Ready as the Llama (in a new “Llamalogue” by Stuart Bousel), and that due to popular demand, we have added a fifth performance!

 

See the Pint-Sized Plays on August 15, 16, 22, 23, and 29 in the PianoFight bar space!

Theater Around The Bay: A List of Things That Meg Likes About “I Like That!”

Meg Trowbridge talks about why you should come see our new show, I Like That!

Sara Judge and I first worked together on Theater Pub’s The Theban Chronicles, a four-play series following the Oedipus story. We recognized right away that we were kindred spirits. Her positivity and creativity make her an incredible director, and when she pitched I Like That! to us as a project she’d direct, I immediately offered her our November slot at PianoFight.

Although that meeting seems just like yesterday, here were are in November, and I Like That opens tonight! In honor of opening night, I wanted to provide potential audience members with a list of what I Like about I Like That!

1.) I like the playwright – Gabriel Leif Bellman. Gabriel and Sara conceived this story together, and Gabriel put it to paper. He’s a beautiful writer, and this is the second piece he’s written that I’ve had the pleasure of working on (I also directed his short play “Listen” for Theater Pub’s second Pint Sized Plays).

2.) I like the live musical accompaniment! Sara Breindel and Ryan B. Kelley provide live music and sound to this show, transporting you through space and time along with the story.

3.) I like the cast! We’ve got a group of very handsome performers, many of whom are making their Theater Pub debut! You may recognize Jake Arky as one of the playwrights from On the Spot, or Alejandro Torres as a director from this year’s Pint Sized Plays, but they both make their Theater Pub stage debut this month!

Come out to PianoFight to see what all the fuss is about! You have four chances before we close this beautiful show down!

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I Like That! has performances at PianoFight on Nov. 16, 17, 23 & 24 at 8:00pm. $5 suggested donation at the door.

Theater Around The Bay: Announcing I LIKE THAT!

Look what’s coming up this month at Theater Pub!

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“I Like That” is a modern rom-com time travel quest for jewels—or gentler days before post-modernism and meta-critiques prevented us from baring our souls. A love story about a guy, a gal, and a phone packed with every piece of information in human history, “I Like That” seeks to translate the Gen X, Gen Y, and Millennial species to each other and the robots that serve them.

“I Like That” stars Genevieve Perdue, Jake Arky, Lisa Darter, Karl Schackne, Stacy Beckley, Alejandro Torres, Kitty Torres, Wendy Taylor, Mark Steinberg, Liz Stone, and Drew Ellsworth. Music and Sound effects by Sara Breindel, Sound by Ryan B. Kelley. It is written by opera, film, and story artist Gabriel Leif Bellman, and directed by theater artist and songwriter, Sara Judge.

San Francisco Theater Pub is pleased to present the world premiere of the full length work, playing only four times at PianoFight (144 Taylor Street, San Francisco). Admission is FREE (with a five dollar suggested donation).

Monday, November 16, at 8 PM
Tuesday, November 17, at 8 PM
Monday, November 23, at 8 PM
Tuesday, November 24, at 8 PM

The play runs about 70 minutes. Don’t miss it- and be sure to come early (or stay late) and enjoy PianoFight’s full bar and menu!

Theater Around The Bay: We Open Tonight!

Opening Tonight: On the Spot, a night of 10 minute plays written in 24 hours! Six playwrights will be selected on March 5th, and put “on the spot” the morning of March 13th to write a 10 minute play that must include a line of dialogue, prop, and set piece all provided by Theater Pub. Their scripts are due the morning of March 14th. Six teams of actors and a director will rehearse and stage these brand new works at PIANOFIGHT the last two Mondays and Tuesdays of March.

Our six playwrights (five, plus one team of two!) for the evening are Jake Arky, Gabriel Bellman & Sara Judge, Rachel Bublitz, Barry Eitel, Seanan Palmero, and Madeline Puccioni!

Our six directors are Mike Fatum, Neil Higgins, Christine Keating, Charles Lewis III, Rem Myers, and Sam Tillis!

Our fabulous acting company is Xanadu Bruggers, Andrew Chung, AJ Davenport, Jan Gilbert, Annabelle King, Michelle Navarrete, Annette Roman, Carole Swann, Jess Thomas, Meg Trowbridge, Steven Widow!

The show plays four performances at PIANOFIGHT (144 Taylor Street):

Monday, March 23 @ 8:00pm
Tuesday, March 24 @ 8:00pm
Monday, March 30 @ 8:00pm
Tuesday, March 31 @ 8:00pm

As always, admission is FREE, with a $5 donation suggested at the door. No reservations required, but we suggest getting there early to get a good seat and remember to show your appreciation to our hosts at the bar!

Come early to PIANOFIGHT to try out their great new dinner menu!

See you at the Pub!