This week Will Leschber speaks to Carl Lucania about all Six Degrees of Separation…
As you all know, dear readers, usually we crack this blog open with a fun diatribe about a current event or some personal goings-on, then loosely shoestring-link it to a current SF play and top that sucker off with a perfect film pairing to whet your insatiable appetites. Who doesn’t like structure! It’s fun, right?! Well, blog fans, let’s just forget the formalities this week and jump neck-deep into Custom Made Theatre’s production of Six Degrees of Separation, directed by Stuart Bousel.
I reached out to Bay Area actor and all-around stellar human being Carl Lucania about a film suggestion, as I’m wont to do. Instead of sending a single, well-crafted sentence and being done with it, Carl had the grace and good humor to send over a comprehensive five paragraphs and eloquently over-achieve. Carl, you are my hero! Since he can turn a phrase better than this little blogger, let’s just let him do the heavy lifting. The loquacious, learned Lucania not only provides a perfect intro to John Guare’s play, but also throws in film pairings AND a few cross-disciplinary recommendations spanning literature to fine art. Whew! Sit down and listen up; class is session! …You best just read on, folks.
Take it away Carl!!!
Happy to help…
Six Degrees of Separation covers a lot of ground. At the face of it, it’s a story of a middle-aged, upper-middle class white couple in early 1990s Manhattan whose world gets turned around when a young black man, pretending to be Sidney Poitier’s son, insinuates himself into their lives. Within that framework there’s a a lot of commentary on class, race, art, and both personal and world politics. And it manages to do all of this in a very succinct, smart, and entertaining 90 minutes.
One of the main themes we talked about when we started working on it was duality: how a story is perceived is entirely up to the person perceiving it — so there isn’t just one reality or story. As Americans, we’re told that we can be anything we want if we’re smart and work hard. And this story turns that ideal on its head. The central character is very smart and works very hard. But is he just a con man? Or is he living the American dream of bettering himself? And it’s the same duality with art: is Duchamp’s Fountain a brilliant work? Or is it just a porcelain urinal in a museum?
One movie that comes to mind is Mike Nichols’ 1988 comedy, Working Girl. For one, it puts you in Manhattan right around the same time period and it also explores a similar theme of someone very clever attempting to jump class by pretending to be something she’s not. And they manage to work quite a bit of social commentary about being a woman in a man’s world into a fairly standard rom-com with Melanie Griffith, Harrison Ford, and Sigourney Weaver. Plus it has Joan Cusack in one of my favorite portrayals of a big-haired, big-mouthed girl from Queens.
If you want to get cross-disciplinary in your preparation: go stare at a Kandinsky or Hockney at SF MOMA, listen to a recording of Andrew Lloyd Webber’s Cats or read Salinger’s Catcher in the Rye. They are all referenced quite a bit in the play. And if you haven’t seen Sidney Poitier in Guess Who’s Coming to Dinner then you’re missing out, because it’s amazing.
My plug: come see the show. I got on board because I love working with Stuart Bousel and I knew this was his favorite play and I wanted to be a part of that. Our three leads (Genevieve Perdue, Khary L. Moye, Matt Weimer) carry a big load and make it look easy. There’s a large supporting cast, thirteen of us in all, and not a slacker in the bunch. It’s been wonderful to watch this crew get up to speed so quickly and expertly deliver the goods. I think this one will stick with you for a while.
Six Degrees of Separation runs May 19 – June 18 Wed 7:30pm; Thurs-Fri 8pm; Sat 2pm & 8pm. Additional information and tickets can be found here: http://www.custommade.org/sixdegrees.