Everything Is Already Something Week 48: I MADE IT!

Allison Page, sliding under the finish line.

You’ve heard it before: “I can’t wait until you’ve made it and I get to say I knew you back when…” Well, I am happy and proud to say that everyone who’s ever said that to me can cash in on that statement because I MADE IT, BABY! That’s right. I have reached the tippy top goal. I have climbed the mountain and am standing at the top with a flag pole and the flag is waving in the wind with my visage printed proudly on it. And what is the goal? What have I accomplished? Am I on Broadway? Or in a Scorsese movie? Or in a Broadway adaptation of a Scorsese movie directed by eight of my personal heroes?

US director Martin Scorsese poses during

No.

I’m working on things I’m passionate about.

OH SHIT THAT’S SO DISAPPOINTING, ISN’T IT? Sorry, cab driver from two years ago who is waiting to brag about my fame – that’s my version of making it. I don’t have those other goals. All I want out of being a theater artist is to be a theater artist. Would a trillion dollars be cool? Yeah, obviously. I’d love to fill a yacht with caramel sauce – who wouldn’t? But I am in no way, shape, or form attempting to make that happen. I want to work on things I care about…and that’s all. I just want to always do that. But nobody wants to hear that. That’s not sparkly and fun. And it’s maybe a little too easy, some might think. I mean – it isn’t – so those people are stupid, but they’ll still think it along with “I wonder what mud tastes like.”

I’ve felt this way for quite a long time. I doubt I’m the only one, either. But it sure seems hard to understand if you ask my grandma. (Other things that are hard for her to understand include “Why won’t you eat my sauerkraut salad?”) Every person working in some sort of artistic field goes home for the holidays and has to answer some questions. Except those few people that come from a family of other artists who totally get it, and even then they’re still your family so there’ll be something somewhere they don’t understand about your life. But the truth is, grandma, I’m doing exactly what I want to do right now.

I heard this great/cheesy thing yesterday: “Don’t wait for someone to discover you. Discover yourself.” UGH, SO CHEESY.

get-attachment-1.aspx

But I totally agree with it. Everyone’s got their own goals and dreams and hopes, but I’m not trying to climb any ladders. Which isn’t to say that you shouldn’t do that, if that’s what you want to do. And that also isn’t to say that if some giant thing came along I wouldn’t do it. If Scorsese comes knocking, cool. But I’m not waiting for that. How awful would that be? If I spent my whole life waiting for something to happen when in reality I fully have the power to just do shit myself? And that isn’t the sound of me settling either. I can see how someone could say that (GRANDMAAAAA!) I actually am truly fulfilled doing the small and mighty things, because they don’t feel small to me, they feel important.

Oh God, this is too inspirational. I can’t go on much longer. The point is – I MADE IT! Someone play a trumpet for me! Roll out the old bath towel – we can’t afford one of those long red carpets to walk down – and let’s get this party started!

get-attachment-2.aspx

No, but really, I have to go figure out how to raise a few thousand dollars for this show next year otherwise the set will be made out of cardboard. Heyyy, cardboard set. Not a bad idea.

Allison Page is a writer/actor/director/person who exists in real life as well as on Twitter @allisonlynnpage.

Cowan Palace: Audience Observations, Dedications, and Goodbyes

Ashley Cowan observes, dedicates, and offers a quiet goodbye.

Hi friends. I’ll be honest; this hasn’t been my easiest week. Saying goodbye to a show you’ve invested a lot of heart into has never been a simple process for me but on top of closing Book of Liz, I found out on Monday that my grandmother had passed away at the strong and sassy age of 90 years and 2 days old.

Years ago, when I showed her an article I wrote for my college newspaper about an upcoming university theatrical production had made its way to the front page feature, she smiled quietly and said how much she loved seeing the name “Cowan” in print. So I like to think, wherever she is, she may be enjoying another Cowan Palace installment.

My cast kindly allowed me to dedicate our closing show to her on Sunday after hearing she wasn’t doing very well, and while I sadly couldn’t be by her side in Connecticut, I carried her with me while doing the thing I love most here in San Francisco.

Reflecting upon our last six weeks of performing in front of various crowds and dedicating our shows to different people, I couldn’t help but wonder how many audiences followed similar trends to those we met while being a part of this production. Our run included Thursday, Friday, Saturday, and Sunday evenings and Saturday matinees. My personal observations include the following:

Thursday: As the first audience of the week, this group tended to laugh quickly and help push the show along. Their laughter patterns were often loud and fast as if to suggest, “hey, it’s Thirsty Thursday, and we either need to get home soon or get a beer.”

Friday: After a long workweek, the Friday crowd entered with high expectations. They were tired from a stressful few days of bringing home the bacon and appeasing “the man”. They could be unforgiving and critical. And hey, how can you blame them? Once you eased them into it though; convinced them to leave their week behind and embrace the weekend; they would warm up to you until the theater was on fire. With their presence.

Saturday Morning: The coffee crowd rather than the wine lovers. We didn’t even have the hope of boozing them up real good before they entered the theater! This group was certainly one of the quieter audiences. Perhaps from partying too hard the night before, perhaps because they’re secretly vampires trying to hide from the sun. It’s hard to say. In any case, they tended to be a bit more controlled and contained.

Saturday Evening: Thank goodness this group knew how to have a drink. They often came in ready and wanting to get those tipsy giggles out. Sometimes it would take them a little longer to catch a joke but when they did, they enjoyed long and hearty laughs. Often, the shows could run just a hair longer because this was the crowd who could appreciate and encourage the idea of “milking it”.

Sunday Evening: This last audience was a real mixed bag and often surprised me. They’d catch the more obscure and random bits and then be silent at a joke that had received big laughs all week. Personally, they were one of my favorite audiences though because they kept me on my toes and often offered more immediate vocal reactions.

Has anyone else noticed an audience pattern during certain nights of the week? Those were just a few of my experiences while working on a comedic piece. And do you think knowing what to expect is ultimately a good or bad thing when it comes to live theatre? I’d love to know your thoughts.

My grandma was often a matinee viewer; and while she may have been part of a quieter crowd, her presence was always known and appreciated. And it’s for her that I’ll continue trying to get the Cowan name out into the world in whatever way I can manage; for any audience who will grant me the chance. For now, this blog will do just the trick.