Theater Around the Bay: Gabriel Bellman and Megan Briggs of “Polling Place”

The Pint-Sized Plays open TONIGHT so we’re bringing you another in our series of interviews with the folks behind the 2016 Pint-Sized Plays. Here are writer Gabriel Bellman and director Megan Briggs of “Polling Place”!

“Polling Place” satirizes the current political climate and the heated rhetoric of the 2016 election. In it, a highly strung woman who’s just cast her ballot goes into a bar and confronts a laconic man with the question “Do you think it’s fair to vote for a candidate based on whether they sit down or stand up when they use the washroom?” Caitlin Evenson plays the woman, Claire, and Ron Talbot is the man, Ian.

Gabriel Bellman

Writer Gabriel Bellman has his eyes on you.

How did you get involved with Pint-Sized, or, if you’re returning to the festival, why did you come back?

Gabriel: I’m proud to have been in this festival before. I enjoy the challenge of writing something on deadline, so when I saw the call for entries post into the clouds via a proxy-streaming server third-party service that takes encrypted pieces of digital information and converts them into the written language, I decided to write a short play using keystrokes and symbols to make words that were then used as a key to unlock language from digital chunks of electromagnitized green-chip circuit boards.

Megan: I directed a Pint-Sized show several years ago and had such a blast! Pint-Sized is one of my favorite SF Theater Pub events so I’m excited to be a part of it again this year 🙂

What’s the hardest thing about writing a short play?

Gabriel: I think it’s to avoid thinking of it as a short play. When you envision a three-inch photograph, for example, you might be thinking of only a corner of a mouth, but (possibly) a better photograph is a three-inch square-size photo of the planet Earth, as cliched and trite as that photo may be at this point (unless of course an alien is in the corner snapping a selfie and it isn’t a blatantly poor Photoshop-job). So if you set out to capture a micro-cosmonaut, then you can still explore heaven and earth, right? A small version of the entire experience of humanity, I guess is the goal, and that’s hard to fit into anything. I feel like I didn’t answer the question. The hardest thing about writing a short play is the constant comparisons to William Shakespeare from strangers on the street.

What’s been the most exciting part of this process?

Megan: The show I’m directing is absolutely delightful! Gabriel has written thoughtful and intelligent characters whose lives intersect in an unexpected way on Election Day. We had a fabulous time unpacking these characters and discovering the humor that comes when you mix politics with uncertainty. I also adore my cast. Caitlin Evenson and Ron Talbot are two fantastic performers and I’m very excited this show marks the first time they are working together on stage!

What’s the best thing about writing a short play?

Gabriel: Getting to see different human minds, each encapsulated in uniquely shaped skulls, interpreting and engaging in the process of making art in live performance. Writing is such a solitary act that it can be a form of self-flagellation or affliction, but when actors come along, that all changes. Actors are a jovial bunch, on balance, and are attuned to human emotion to such a way that they can call it upon demand with strangers looking at them — it’s pretty amazing. So the best thing is to play in creative space with other artists — it can seem too good to be true.

Who’s your secret Bay Area actor crush? That is, what actor would you love a chance to work with?

Megan: I think Stacy Ross is an incredible performer! She excels at both comedy and drama and by all accounts she is a dream to work with.

Megan Briggs

Megan Briggs is a frequent Theater Pub performer and now, a Pint-Sized director!

Who or what are your biggest artistic influences?

Gabriel: There are a lot of different ways to answer that. For one, I could say parents, teachers, other artists, I could point to the times we live in, I could recount a midnight screening of Gremlins, or a Bob Dylan concert, or a Shaquille O’Neal dunk, or a Pop-Tart. Let me say something more guided: here are a few writers I felt impressed by as an adult. Denis Johnson, Junot Diaz, Mary Shelley, Seamus Heaney. Allen Ginsburg’s Howl is still the best poem ever written (although not as good as Whitman’s Song of Myself – which is basically a rip-off of William Blake). Is that an answer? My biggest influences are gangsta rap, existentialism, Atari 2600, and Indian food.

If you could cast a celebrity in your Pint-Sized Play, who would it be and why?

Megan: I would have to say Emily Blunt because I would really love to see how this play would change if we had a British actress playing the part of Claire. It would bring up a series of entirely new questions about her character and why she is so intrigued by the political process.

Gabriel: Penelope Cruz because I have loved her since I was 19 and saw Belle Epoque. Actually, I wouldn’t want it to be weird, so maybe a better answer is Magic Johnson, since i have loved him since I was 15. Wait, was that a trick question? The answer is Madonna.

What other projects are you working on and/or what’s next for you?

Gabriel: I’m working on a feature play about a historical figure from New York at the turn of the century. I would say who and what it is about, but I’m too excited about it because I don’t think anybody else has done it yet, and it’s a good idea, and when you share those ideas early on, it bursts the bubble. What’s also next for me is a bubble tea. Very, very soon.

Megan: I’m very excited to be performing in Theater Pub’s production of King Lear this fall! I like my Shakespeare to be fast paced with high drama, and I think Theater Pub is the perfect venue for presenting Shakespeare that’s anything but boring and stuffy.

What upcoming shows or events in the Bay Area theater scene are you most excited about?

Megan: I’m excited about seeing the musical Chess for the first time at Custom Made Theatre Company this fall. I’m also super pumped for Hamilton next spring (although I have to be willing to wait for it).

Gabriel: I’m looking forward to the Lit Crawl, I believe I’ll be performing in that, and also seeing Hamilton, and plays that actors and playwrights from Pint-Sized are doing. It’s a talented group, excluding myself, since that sounds weird.

Finally, what’s your favorite beer?

Megan: I’m more of a cider girl myself, and Stella Cidre is my absolute favorite!

Gabriel: For anybody who was raised in the shadows of the Willamette Valley, it’s Black Butte Porter. But honestly, I love a nice Jamaican ginger beer.

See “Polling Place” and the other Pint-Sized Plays at PianoFight on August 15, 16, 22, 23, and 29!

Theater Around The Bay: INTO THE WOODS- A Prologue

Starting next week, Theater Pub will be running a three-part commentary panel doing a retrospective on Stephen Sondheim and James Lapine’s INTO THE WOODS, featuring the thoughts of Bay Area theater makers Stuart Bousel, Brian Katz, Marissa Skudlarek, Oren Stevens, Corinne Proctor, and Nick Trengove, each of whom have their own special connection to the seminal Broadway musical. To whet your appetite, we’re running a review (taboo for us, we know, but this is special) of the new film version of the show, from New York based actor/dancer Tommy Stefanek (who, by the way, in 2000 originated the role of Hugo in the very first production of THE EXILED, back in Tucson). Tommy caught an advance screening of the film on Sunday, this is his response. Oh, and *#*SPOILERS*#*. 

Okay, here are my thoughts about Into The Woods and some comments about tonight because it is not often that after seeing an amazing movie I get to hear Rob Marshall, Meryl Streep, Tracey Ullman, Christine Baranski, Emily Blunt and Anna Kendrick talk about the experience of making the film.

So, if you are a fan of the musical Into the Woods I am pretty sure that you will LOVE this movie. The film had me at the edge of my seat from beginning to end. And yes, there are some things that I didn’t like and some numbers that I missed, but overall I thought the movie was fantastic.

And as they brought up in the Q&A they were able to do many things in the film that you can’t do on stage. For example, how they filmed ‘Steps of the Palace’ was brilliant! All the special effects made you feel the magic so much more! I mean you really get to go into the woods.

Huge stands outs are the kids: Jack (Daniel Huttlestone) and Little Red (Lilla Crawford). They knocked it out of the park. Meryl is even better than you are thinking she will be. And I loved Anna as Cinderella, Emily as the Baker’s Wife, Tracey as Jack’s Mom and Christine Baranski was fantastic as the stepmother. Oh, and the 2 Princes (Chris Pine, Billy Magnussen) singing “Agony” will be a laugh out loud moment for you. We were ‪#‎DYING‬. And yes, both Princes DELIVER. ‪#‎sweetbabyjesus‬

Now, Johnny Depp’s costume is the worst thing in the film. And maybe the second worst thing for me was the fact that I just wanted him to play the wolf but he was playing Johnny Depp as ‘The Wolf’ and I was just like ‪#‎overit‬. But again I am being very picky.

The Baker (James Corden) didn’t connect for me but he had awesome moments and somebody else might really like him so I will leave it at that. I just wanted him to play it more like Chip Zien, the original Baker, but that’s probably just me.

The thing that I mentioned to my partner after the film was that I just feel the original material is so perfect, every lyric, every verse – it is structured so perfectly. And when you trim (which you HAVE to do for film) you lose some of the depth. So, some of the moments near the end don’t have the impact that you need because you had to short change some of the earlier scenes.

And then some of the more “violent” moments were lessened or rather done off screen and I thought that was a poor choice. I think the dark tones of Act 2 really build when you see the Steward hit Jack’s Mom over the head which kills her. The stakes are raised immediately in that unexpectedly violent action and you need to see it. In the film they cheapen the whole moment so it isn’t as dark but I think you need the darkness…

But let me be clear I am being picky right now because the film is that good. We all remember what a piece of shit Les Mis was and this brings us right back to the Chicago days. If you’re a theater person (or not), this movie should be at the top of your list this holiday season and I think you will really love it.

Working Title: Tom Cruise, Get Over It!

This week Will makes two quick recommendations …

Alrighty, film fans, get ready to have an opinion! Due to this weeks overly full docket (I am getting married in 10 days after all), I am going to make two quick recommendations and begone!

Number One! -If you haven’t seen The Crucible at Custom Made Theatre just go already. It’s excellent. The smaller space brings the fever pitch of the play to great heights. I know you’ve seen it before but it’s better than you remember and it just extended its run. So do it! it’s worth it.

mary_warrens_spirit-2

Number 2 – Go see Edge of Tomorrow. I know, I know. You hate Tom Cruise. Oh wait you don’t? Then stop reading this and go. What’s that? You do hate him? Gotcha. Apparently that’s pretty trendy right now. Either way, listen. Regardless of what you think of Cruise, Edge of Tomorrow is a finely tuned, lean summer blockbuster. It’s the best summer blockbuster of the season, so far, if you ask me. Noah, Captain America: Winter Soldier, The Amazing Spiderman 2…all these clock in at almost 150 minutes! Edge is less than two hours. In and out excellent popcorn entertainment. Great pace, seamless CG, unique creature design, a familiar concept (resetting the day/re-doing events) done in a new way (Think Groundhog Day meets Starship Troopers…yeah, you read that right). I’m not asking you to hang out with Cruise or to join Scientology. I’m just asking you if you want to see a good movie. You’ll have a better time than you expect. And, sidebar, Emily Blunt is a proper badass.

Edge_of_Tomorrow

If you want to have a longer discussion of Cruise, read this article by Gabriel Urbina and get back to me. I think he lays out an interesting summary.

Lastly, before you tear into me about going all populist and mainstream, remember I wrote about Jim Jarmush too.

Sources:

Edge of Tomorrow. Digital image. http://www.imdb.com ;N.p., n.d. Web. 09 June 2014.

Urbinda, Gabriel. “Why Do We Love/Hate Tom Cruise So Much?.” MXDWN.com. 09 Jun 2014: n. page. Web. 10 Jun. 2014.

Yamada, Jay. Mary Warrens Spirit. 2014. Photograph. http://www.custommade.org, San Francisco. Web. 27 May 2014.