The Five: Five Crowdsourcing Campaigns You Should Check Out

Local Playwright, Director, and Ticket-Shiller Anthony R. Miller returns with a 2 Parter on the rise of Crowdsourcing in Bay Area Theatre.

It’s been quite the two weeks since my last post; the closing of my hometown theatre company, San Jose Rep, a double whammy of bullshit from the Tony Awards (Seriously, instead of hearing the speech from the winner of “Best Book from a Musical” I get a special performance by Sting?”), there’s really no shortage of lists. But another event this last week was a personal one for me, the show I am producing and co-writing; TERROR-RAMA, made its Kickstarter goal. Thanks to the support of friends, family, and the Bay Area Theatre Community, we have enough money to pay everyone who works on the show, not have to charge a ridiculous amount of money to break even, and perhaps even a smidge of production value. One thing that struck me was just how many campaigns went on at the same time as us; The Lost Church, Diva-Fest, friggin Reading Rainbow. So I did a little research, and if you add up every theatre campaign in SF alone for 2014 (finished, current, and projected), almost $450,000 has been, is, and will be asked for via crowdsourcing. Sure, there are people living in the city right now that could fund all of those projects at once and still manage to have a sweet vacation, but it’s a big sum none the less, and it’s only destined to rise. Even now, you can easily find 10 different arts campaign just for the Bay Area. This inspired not one, but two lists. This week, I present: Five Bay Area Arts Crowdsourcing Campaigns You Should Check Out and in two weeks; Five Questions About The Future of Arts Crowd Sourcing. One thing crowd sourcing has allowed is that any once can at least try now. Sure, they might not make it, but they have the opportunity to even ask. This means there’s a whole crap-load of incredible companies looking for help; here are a few current campaigns you should check out.

Do It Lives’ 2014 Season

Ambition, ambition, and a big dose of moxie are the words I use to describe this young SF theatre company. They’re raising money to fund their, that’s right, ambitious season of 7 plays from writers all over the world. On top of that they’re doing them in repertory, a rotating line up of plays for 8 months. This group is dedicated to doing active, visceral, and challenging theatre. I hear they also plan to build a theatre in space, not because it is easy, but because it is hard. This group is worth looking at, they’re different, focus like a laser on a younger audience, and give the artists they work with a lot of freedom.

https://www.indiegogo.com/projects/do-it-live-s-2014-season

Great Star Theater

Nestled in Chinatown is the Great Star Theater, I have seen some crazy shows here. It’s a classic 1920’s theater that hosts a variety of exciting theatre. They are currently raising money to restore it to its former glory. 90 years of dust, old ass ropes that people dangle from and a million burnt out light bulbs are just a few of the things they’re trying to tackle. This place is worth checking out. Last I checked, we need all the venues we can get, and this one is rad.

https://www.kickstarter.com/projects/1927498591/great-star-theater?ref=discovery

2014 FURY Factory Festival of Ensemble Theatre

From July 6-20, The FURY Factory festival will bring 24 ground-breaking theatre companies from around the country to The Mission District. This festival has an incredible line-up and promises to be 2 weeks of really exciting theatre. They are raising money to pay all the artists and personnel of the festival. This is worth checking out, because bringing some of the most innovative companies in America to SF is one thing, but paying them too is a darn fine cause.

https://www.indiegogo.com/projects/2014-fury-factory-festival-of-ensemble-theater

Pleiades

Birthed from the loins of the SF Olympians Fest (They have a campaign coming up too.) writer Marissa Skudlarek is DOIN’ IT and self-producing her play about 7 sisters coming of age in the early 70’s at the height of second-wave feminism. And to top it off, its very production addresses a situation in Bay Area Theatre, a lack of women writers, directors and roles. Pleiades features a female writer, director, lead-producer and 8 female roles. Check this out if you’re ready to see more talented women doing theatre.

https://www.indiegogo.com/projects/pleiades-world-premiere-female-driven-play-in-san-francisco

Mugwumpin 10

With just a day and half left, this company gets and A for urgency. These bad-asses of Theatre are raising money specifically to pay the performers and directors of their two revivals; This is All I Need and Super:Anti:Reluctant, both plays are audience favorites that creatively question American ideals. You should check them out because they’re very close to goal (and their deadline) and these guys have been doing incredible work for ten years and changing the relationship between audience and performer.

https://www.indiegogo.com/projects/mugwumpin10-celebrate-a-decade-of-live-art

Anthony R. Miller is a Writer, Director, Producer, and that guy who won’t stop calling currently living in Berkeley, Ca. His show: TERROR-RAMA opens in October 2014.

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Introducing The Directors Of Pint Sized IV! (Part Two)

Pint Sized Plays IV is more than halfway through it’s run! This year our excellent line up of writers is supported by an equitably awesome line up of directors, so we thought we’d take a moment to introduce some of them and find out more about who they are, what they’re looking forward to, and how they brought so much magic to this year’s festival.

Tell the world who you are in 100 words or less.

Tracy Held Potter: I’m a writer/director/producer who recently discovered that I have to create inspirational mantras that are the exact opposite of the inspirational mantras that I used in high school. I run All Terrain Theater (www.allterraintheater.org) and Play Cafe (www.playcafe.org) and I’m a co-founder of the 31 Plays in 31 Days Project with Rachel Bublitz (http://31plays31days.com). My biggest projects right now are directing The Fantasy Club by Rachel Bublitz and getting ready to move to the East Coast for a fancy-pants MFA Dramatic Writing program at Carnegie Mellon University.

Jonathan Carpenter: Formerly a biologist and Bostonian, I’m now a San Francisco-based theater director. I love bold, new plays that sometimes have music and sometimes don’t happen in traditional theater spaces at all.

Colin Johnson: I am Colin and I like telling stories and stuff.

Colin Johnson: What A Rebel

Colin Johnson: What A Rebel

How did you get involved with Theater Pub, or if you’re a returning director, why did you come back?

Tracy Held Potter: I saw several Theater Pub shows in the past year and loved them, especially Pint-Sized Plays, and also got to run sound for Pub from Another World, which was extremely fun. “Audrey Scare People Play?” Whaaaaaat!

Jonathan Carpenter: This is my first time directing for Theater Pub! I met Meg O’Connor at an event for the SF Olympians Festival. She mentioned that her friend Neil (Higgins) was looking for directors for the Pint Sized Festival. A few days later, Neil and I were emailing each other about the line-up for this year’s festival, and not too long after I was on board to be part of the Pint Sized directing team. I had always been really interested in Theater Pub, and so when the opportunity arose to get involved, I jumped on it.

Colin Johnson: I got involved through the fearless producer called Neil, whom I’ve worked with during the last two years on the SF Olympians Festival.

What’s been the most exciting part of this process?

Jonathan Carpenter: There’s nothing better than being in the rehearsal room and digging into a script with actors, so I would say that my rehearsal time with Jessica (Chisum), Lara (Gold), and Andrew (Chung) was the most exciting part of the process for me. Multitasking (by Christian Simonsen) is a deceptively tricky play. You have to keep asking yourself, “Wait, what the hell is going on here?!” All three actors were really smart about figuring out what makes these characters tick. I had a blast bringing the play to life with them.

Colin Johnson: Analyzing and then over-directing the crap out of a one page script. Sometimes the greatest challenges come in the smallest packages. Oh, and also practicing a musical number with a drunk llama.

Tracy Held Potter: Getting invited to direct for Pint-Sized plays and then finding out that I was going to direct a piece by Megan Cohen were freaking awesome. I still relive moments from watching Megan’s piece from last year, so this really has been a thrill for me. I also loved rehearsing with Charles Lewis III, Caitlin Evenson, and Jessica Rudholm … and I won’t lie that sewing the knight props and costumes in the middle of the night was pretty special as well.

What’s been the most troublesome?

Tracy Held Potter: Keeping things simple with this brief yet epic play. I tend to work on projects with a minimal amount of props and set design, but there’s a part of me that wants to go all out with this one: more rehearsals in the space and more elaborate costuming. I got to work with a great cast and I we pulled out a lot of interesting material from the script in a very short period, so I can’t really complain, though.

Colin Johnson: Troublesome? I don’t know the meaning of the word, I say! But I suppose rehearsing with a drunk llama can have its setbacks.

Jonathan Carpenter: Casting was probably the trickiest piece of the puzzle for me. There are, of course, so many wonderful actors in the Bay Area; the only problem is that they’re so wonderful that they’re always cast in multiple projects! The Theater Pub performance schedule is great because Monday is usually a day off for actors, so it’s possible to do Theater Pub along with other shows. But it doesn’t always work out. I lost a terrific actor that I was really excited to work with because it turned out that she was needed for rehearsals for another project during the final week of Pint Sized performances. And then when I had to find another actress for that role, there were several other wonderful folks that I couldn’t use because we couldn’t find common free times to rehearse! It all worked out beautifully in the end – thanks to Neil’s guidance, persistence, and huge network of actor friends – but there were some moments where I was really banging my head against the wall.

Jonathan Carpenter: Casting Clusterf**k Survivor

Jonathan Carpenter: Casting Clusterf**k Survivor

Would you say putting together a show for Pint Sized is more skin of your teeth or seat of your pants and why?

Tracy Held Potter: I would say “seat of your pants” because I have sensitive teeth and the other metaphor makes them hurt.

Jonathan Carpenter: Pint Sized is definitely a seat of your pants kind of endeavor. You’re making theater that’s going to happen in a bar where anything can happen. Someone could walk through your scene to go to the bathroom. A noisy garbage truck could whiz past Cafe Royale. Who knows, an especially drunk audience member might even try to get in on the action. So, you have to stay adaptable and be ready to fly by the seat of your pants. But that’s also what’s so exciting, right? Live theater!

Colin Johnson: I’d say seat of the pants is a better term. When you perform in public, especially a bar, you must be prepared to adapt and circumvent logistical problems at a moment’s notice. Skin of the teeth makes it seem like we’re barely hanging in there, which is untrue. This production has actually been one of the most tightly coordinated and relaxed projects in a while for me.

What’s next for you?

Colin Johnson: Next, I’m writing a full-length adaptation of Aeneas’s tale for SF Olympians: Trojan Requiem (titled Burden of the Witless) in November. I also have a recently-completed independent short film that will hopefully be making festival rounds this year. And most likely directing a Woody Allen One-Act early next year in Berkeley

Tracy Held Potter: I’m directing and producing a HILARIOUS sex comedy by Rachel Bublitz called The Fantasy Club that we’re premiering at The Alcove Theater near Union Square from Aug 2 – Aug 11 (http://fantasyclub.brownpapertickets.com). It’s about a stay-at-home-mom who faces the man she’s been fantasizing about since high school and has to decide between her marriage and making her fantasies come true. I’ve spent a lot more time on Google researching underwear and logo contraceptives for this show than I have for anything else. In August, we’re also relaunching the 31 Plays in 31 Days Challenge and rehearsing for Babies, the Ultimate Birth Control: Terrifyingly Hilarious Plays about Parenting for SF Fringe (http://www.sffringe.org), which both Rachel and I wrote pieces for. In the midst of all this, I’m going to finish packing up my family to move to Pennsylvania. You know, taking it easy.

Tracy Held Potter: Taking It Easy

Tracy Held Potter: Taking It Easy

Jonathan Carpenter: I’m about to begin rehearsals for the west coast premiere of Roland Schimmelpfennig’s The Golden Dragon, which Do It Live! Productions will be producing in A.C.T.’s Costume Shop theater in September. And after The Golden Dragon, I’ll be directing readings of Jeremy Cole’s On The Plains of Troy and Madeline Puccioni’s The Walls of Troy for the SF Olympians Festival.

What are you looking forward to in the larger Bay Area theater scene?

Tracy Held Potter: I’m looking forward to “A Maze” by Rob Handel and produced by Just Theater at Live Oak Theatre, which just opened. Rob is the theater teacher for my new grad program and I’ve heard great things from people who’ve already seen it (phew!). There are a lot of shows that I’m really sad to be missing because I’ll be out of the state, but I’ll be catching all of Bay One-Acts and at least a couple of SF Olympians shows towards the end of the festival.

Colin Johnson: BOA is always an amazing fun time! As is the Olympians! They’re both a great conglomeration of all the best the Bay indie theatre scene has to offer! And great folks!

Jonathan Carpenter: Oh my gosh. I’m a huge nerd, and I just can’t wait to see Ian McKellan and Patrick Stewart in No Man’s Land at Berkeley Rep. I mean, it’s Gandalf! And Professor X! AND they’re doing No Man’s Land! I have loved Pinter ever since I first dove into his plays a few years ago while working on a production of The Homecoming. They’re so juicy. So I’m really looking forward to that production. I’m also really excited to check out Rob Handel’s A Maze at Just Theater this summer. I read a draft of the play about three years ago, and I was completely enthralled. It read like a comic book, and I was totally fascinated to imagine how you might stage such an intricate play. I’ve heard great things about the production, and I’m really looking forward to it.

Who in the Bay Area theater scene would you just love a chance to work with next?

Jonathan Carpenter: Woah! It’s way too hard to pick just one artist! Can I say “all of them”?!? Well…actor Reggie White is probably at the top of my list. He’s been a friend of mine for a couple of years now, and it seems criminal that we haven’t done a show together yet.

Tracy Held Potter: I can’t count how many actors, directors, stage managers, writers, and other theater people that I got to work with this year who I really admired. I have so many theater crushes here that it’s crazy. With that said, I would fall out of my chair if I got to work with Desdemona Chiang on one of my plays.

Colin Johnson: I would love to have a rematch of my 2012 Olympians knock-out, drag down fight with Jeremy Cole. But most of my Bay Area dream collaborations have been fulfilled, with hopefully more on the horizon.

What’s your favorite thing to order at the Cafe Royale?

Jonathan Carpenter: Whatever stout they have on tap.

Colin Johnson: I’m a fan of the Marin Brewing Company IPA. But if I’m expected to be productive, a Cider or a Pilsner.

Tracy Held Potter: I don’t really drink that much so I like to order soda or tea, but last time the bartender made me a limeade which was pretty good. There are photos of me on the Theater Pub Facebook page drinking that, if anyone’s interested.

Don’t miss the last two performances of Pint Sized Plays IV: July 29 and 30, at 8 PM, only at the Cafe Royale! The show is free and no reservations are necessary, but we encourage you to get there early because we will be full!