This week, Ashley Cowan chats with actress, Mary McGloin!
In an already exciting season for Custom Made Theatre Co., I recently had the opportunity to see their latest production of How The World Began and not to get into “review territory” but I thought it was fantastic. Aside from catching Theater Pub’s February contribution, I sadly haven’t been up for a lot of theatrical viewings these days. Unfortunately, it’s been difficult to sit longer than an hour without having to pee or put my feet up so seeing anything away from my couch has been tricky. And to be honest, when I entered Custom Made’s space last week, I was already uncomfortable and achy.
But in true theatre healing style, I sat down and was immediately brought to another place. Where I could watch three characters, one of which was suffering through pregnancy pains of her own, explore the divide between religion and biology.
In this Bay Area premiere, written by Catherine Trieschmann and directed by Leah S. Abrams, we meet Susan (played by Mary McGloin), a high school science teacher, her student Micah (played by Tim Garcia), and Micah’s “guardian”, Gene (played by Malcom Rodgers) who are all fighting for a chance to be heard and understood. I had the opportunity to ask Mary McGloin a few questions regarding her experience with the production and gain some additional insight into this piece about the universe’s origin story.
AC: What first drew you to How The World Began and helped you to accept a role three thousand miles away from home?
MM: I first discovered How The World Began back in 2011 when I went on an acting retreat in Costa Rica with casting director, Alaine Alldaffer. She runs the retreat and assigns each actor a role and a play to work on for it. She assigned me Susan. I immediately fell in love with the play and the role and dove into working on it. I will always remember doing the 3rd scene on a beach.
When I saw the Off-Broadway production at the Women’s Project in 2012, I fell in love with the play again and hoped to one day play Susan. Back in April of 2014, Leah, our wonderful director, announced that she was going home to SF to direct this play in Winter of 2015, I immediately said, “I’m right for that role.” Lucky for me, she agreed enough to cast me, which led me home to the Bay Area for this production. (Missing winter in NY notwithstanding.)
AC: What is the biggest thing you have in common with your character, Susan?
MM: That’s funny you should ask. My little sister and brother in law came to the show and said, “Oh my God, she’s exactly like you, did they write this role for you?” I definitely have a very strong sense of justice, fairness, and a desire to stand up and stand by what I believe in, even if it makes me unpopular. That said, I think I personally am a bit more hypersensitive to other people’s feelings and beliefs and would probably have not ended up in the same situation exactly. I tend to apologize more. Though we are eerily similar.
AC: What’s been the biggest surprise challenge in playing Susan?
MM: Surprise challenge? I am not sure what was a surprise exactly but – when I initially read the script, some of the way she talks seemed foreign to me, I don’t say things like “willy-nilly” and “doing my darndest” but it was surprisingly easy to get that once I saw where she was coming from. The first scene sets up quite a tone for the play and I knew that I had to answer a few questions internally to know where to start from. It’s also important I think not to get angry or frustrated with Micah early on as he’s a kid who’s clearly hurting and she’s really trying to do the best she can, that and there’s a long way to go and if you start there you’ve no where to end up.
AC: As the play centers around discussions of faith and biological origin, did conversations of this nature infuse the rehearsal process as well?
MM: This is San Francisco, after all, so no, not really.
AC: What do you hope audiences leave thinking about after they’ve seen the show?
MM: About how easy it is to mis-characterize what other people believe – maybe how they would feel in the situation, how we as a country might be able to be a bit more tolerant of one or another’s views, whether we agree with them or not. Maybe especially when we disagree.
AC: How has your acting preparation process been influenced by playing a character who is pregnant?
MM: I’ve never been pregnant, so I read “What to Expect When You’re Expecting” and asked friends who have been for their experiences. I also did a lot of people watching.
AC: What has been your favorite part about being back in the Bay Area theatre scene?
MM: Oh, God, I miss home. This is my home. I have a lot of friends and family here. I come home typically at least twice a year to visit. Before I moved to the East Coast, I had been living in SF and other parts of the Bay Area for 15 years. I have worked at theatres all around the Bay. Everyone is nice, welcoming, supportive and you can really get to know the community and be seen for roles when they’re casting – New York is so huge and so competitive – it’s hard to keep on keepin’ on but it’s what we do. I was broken-hearted when I had to leave SF. But ultimately, I believed after understudying 12 times at Bay Area Theatres – mostly to women who lived in NYC and had MFA’s – that if I wanted to compete with that I needed to get my MFA and move to NYC, so I did. Was that accurate? I guess I’ll never really know. I would love to come back here at any time and do shows. Eventually, I’d love to be so well situated in my career that I could live anywhere and work consistently, and not just on stage but in TV and Film as well.
AC: What do you miss most about Brooklyn and the New York artistic scene?
MM: New York is pulsating and alive. It’s like being on a train that never stops. There is a great amount of opportunity there to succeed and in a very big way – but it also comes with a big price tag. It’s because of the support of my friends and family here and there that I can get up and do what I do everyday.
To be honest, though, I miss my friends and family in Brooklyn and NY (though if I were there I’d miss you guys here, doh!) , I miss the constant auditioning, I miss the willingness of everyone to bust their butt to make something happen. Brooklyn, itself, I miss Prospect Park, I miss broccoli tacos, I miss finding new and unexpected places to go.
AC: Tell us about where we can see you next and any upcoming projects!
MM: I am busy writing 2 web series in NYC. One is called Lines & Asides and I shot a pilot that got into a few film festivals. It will probably be re-shot when we shoot the whole season. The show revolves around a classically trained actress (typecasting) struggling in NYC and the people she knows – it’s really a story of the life of most of the actors I know in NYC – the idea and the humor are kind of a cross between Slings & Arrows, Waiting for Guffman and The Office. It’s been fun to write – I’ve written 2 seasons, I want to write a final third and then do some re-writes before trying to get it shot.
The other series is about 2 women who work at a startup tech company. My day job has been as a QA Engineer for many years and both me and my co-creator, Amanda Van Nostrand, are taking stories from our lives in this word to make a short (3-5min) episodic. This one is all set in an office and I hope to shoot much sooner than Lines & Asides.
AC: In twelve words or less, why should people come and see How the World Began?
MM: It’s a powerful script that will give you something to talk about!
How The World Began Runs has four shows left and will close on March 8th. To get tickets, please go to: www.custommade.org/tickets and catch this show while you can!