The Five: Following Up On Old Stories

Anthony R. Miller checks in by revisiting old articles.

Hey guys, so this week’s article started as just another 5 random thoughts. But then I realized the five thoughts weren’t random at all, they all were directly related to previous articles I had written. So today we take a look back at the ol’ back catalogue and see how things changed since then. Think of it as one of those episodes of Unsolved Mysteries where they say “hey remember that one mystery we couldn’t solve? We solved it.” So let’s look at a few follow ups to older articles, as usual, I have five.

Sometimes It Just Works

For my most devoted readers (I.e., my parents.) You will recall how excited I was to see Tartuffe at Berkeley Rep. Without writing a review; suffice it to say I loved the ever-loving crap out of it. A major reason for that being it was the opposite of what I expected. When I think of Christopher Bayes and Steven Epp, I immediately think of the modern-day Commedia Del Arte’ style, over the top comedy of A Doctor In Spite Of Himself and last season’s Accidental Death of an Anarchist. Instead, I got a dark-as-fuck interpretation that walked a line between silly and dark and perverse. I never knew if I was supposed to laugh or be horrified and I loved it. I loved that they made big fat daring choice and took it to the hilt. However, a strange phenomenon has been happening as I describe the show to people, about the time when I talk about the obvious influence that movement based methods such Biomechanics and Viewpoints had on the staging, I realize, I should have hated this show. The choice to take a usually funny, edgy comedy and take it in such an experimental, art school-esqe direction, the high art-ness of it all should have made me pull chairs out of the floor, but it didn’t. On this particular day, it totally rocked my socks. The point being, sometimes, in spite of everything, you just really like something. Sometimes, it just works for you, and hey, good for you for liking things.

A.J. Kirsch is Brilliant

In my first article for T-Pub, I made my love for Hoodslam pretty clear. My favorite thing about Oakland is not the Lake, Or Chicken and Waffles at the Merritt Bakery not even the Grand Lake Theatre (although it’s a real close second.) It’s Hoodslam, Indie Wrestling’s “Accidental Phenomenon” performing at the Oakland Metro Opera house the First Friday of every month. As I said, my love for this show is well documented, but I specifically want to talk about someone, who I think is one of the best, most brilliant performers in the Bay Area. There is one guy who is on stage for three hours straight, acts as host, commentator and wrestler and puts on a consistently masterful, energetic and fun performance every time. That guy, is A.J. Kirsch, also known as “Broseph Joe Brody” , a former contestant on WWE Tough Enough (And most recently Vh1’s Dating Naked). It’s not just the obscene amount of energy and intensity he puts into every aspect of his performance that makes him special. It’s the sheer amount of roles he plays. As host, he holds a capacity crowd in the palm of his hand; he leads them in chants, drives them into a frenzy with announcement of every wrestler, he stands from the turnbuckle, leaning over the crowd as he basks in sea of middle fingers as the audience chants “Fuck you, Bro”. He is their hero and villain all at once. Every wrestler has what is known as a “Gimmick”, it’s the core of your character, your costume, your entrance music, and your move set. Kirsch’s “Broseph” character is an obnoxious meathead who wears muscle tees with tacky phrases and carries a giant can of Axe body spray, in other words; he is everything the audience hates, a dirty douchebag bro. The audience loves to hate him, and hates to love him. Because of his humor, presence and natural charisma, he is the first ironic heel (Bad Guy), which makes him a Babyface (Good guy) for the smart-fan indie wrestling audience. This is a perfect example of Hoodslam’s Meta nature. Everyone is in on the joke. And Kirsch is their Ringleader.

Wrestlemania Was Probably the Coolest Thing to Ever Happen In San Jose

At some point last year, I made a list of theatrical events I was super excited for, Wrestlemania was one of them. At the time, wild horses could not have stopped me. Not only was it freakin’ Wrestlemania, but it was in my Hometown of San Jose (And Santa Clara, but whatever.). But the cruel realities of $250 Tickets, lame responsibilities and just poor planning led to me watching at home, luckily I have a pretty sweet TV. But the part I enjoyed the most was watching all of the events put on by the WWE that weren’t Wrestlemania. As a former resident of Downtown San Jose, it was crazy to see footage of Fan Access at the San Jose McHenry Convention Center, NXT did a show at SJSU Event Center, Some of my favorite wrestlers went to bars I used to hang out in. So many things that I was a huge fan of were all happening in my lame hometown. And it was all happening blocks away from my old apartment. It was the first time in forever I thought “Aw man, finally something super cool is happening in San Jose and I’m not there.” Wrestlemania was a huge success, which isn’t surprising; Downtown San Jose is designed for conventions. The word is San Jose and Santa Clara want the “Showcase of the Immortals” back sooner than later. Events in Downtown San Jose usually involve cars, concerts with very old bands or cover bands that play very old songs, or Christmas in the Park. So this was easily the coolest thing to ever happen in Downtown San Jose, so when it does come back, I won’t miss it this time, probably.

If Some Dude Doing An All-Pug Production of Hamlet is the Only Good Thing to Come From The Potato Salad Kickstarter, Then It Was Totally Worth It.

Oh the Potato Salad Kickstarter, remember that? The first Crowd-funding Meme, the joke that became a worldwide phenomenon, the Kickstarter Campaign that destroyed relationships, divided friends, and became either the funniest thing ever or proof the human race was doomed (Depending on your point of view.) But suffice it to say, Shit got real. At the time, there was a glut of theatrical crowdsourcing campaigns in the Bay, so I wrote two articles on it. It seemed every dream project, theater renovation, and fledgling theatre company with an ambitious new season, (Not to mention Reading Friggin Rainbow) needed your money. It got crazy, lots of folks didn’t make goal. People, who always made goal, didn’t make goal. And the fact people were more willing to give a dollar to be part of a ridiculous joke instead of ones theatrical endeavor created some very real tension. But a week later, the Facebook news Cycle had moved on and people were mad/outraged/excited about something else. But a lot of folks took the Potato Salad Kickstarter as a sign. A sign that said, you can do a campaign for any stupid idea you have, and people will reward you for how clever your stupid idea is. Enter Kevin Broccoli, an Actor from Providence, Rhode Island. Kevin saw the Potato Salad Kickstarter and said “Hey, I’ve got a stupid idea too!” and his campaign to stage Hamlet with a cast of Pugs was born. What started as joke became very real as the donations poured in; eventually he hit his goal of $5000 and will now stage the show. Think about that, $5000 for Pugs, on stage, dressed in Shakespearean Costumes. So for all the strife that kooky Potato Salad Kickstarter caused, it also begat a bunch of pugs in funny costumes, like a flower that rose from shit.

OMG A MUSICAL VERSION OF ‘GROUNDHOG DAY’!!!

Quite Recently, I wrote about a few silly ideas for musicals (I kept the gems for myself). But what I did not anticipate was real life Broadway one-upping me. Recently it was announced the classic Bill Murray film Groundhog Day would be adapted into a Broadway musical. Is this a good thing or a bad thing? I’m not sure, but they better do a huge dance number to “Pennsylvania Polka”. Will the Groundhog have a number? The show is written by Tim Minchin and Danny Rubin who wrote the Musical Adaptation of Matilda. This would mean something if I saw Matilda, but it got nominated for a Tony, that still means something, right? (Right?) One day our entire childhoods will be re-created in musical form, hopefully all the actors will be pugs, pugs dressed as pro wrestlers.

Anthony R. Miller is a Writer, Director and Producer. His new play “Christian Teen Dolphin-Sex Beach Party” will premiere at this years SFF Olympians Festival and his other new play “Sexy Vampire Academy” will get it’s first reading as part of “TERROR-RAMA 2:PROM NIGHT”, this October. Keep up with all of it at www.awesometheatre.org

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