Introducing The Writers of Pint Sized Plays IV! (Part Three)

We’re continuing our series of profiles of this year’s writers and this time we have two very old friends who have been contributing to Theater Pub for years: Megan Cohen and Sang S. Kim. Both prolific and highly respected local writers, Sang and Megan have been strong supporters of Theater Pub throughout the years and so we’re very excited to have them be a part of the festival this year. In some ways, they also have an unfair advantage on everyone else when it comes to this interview- namely because they’ve already done it before!

So how did you hear about Theater Pub’s Pint-Sized Play Festival and what possessed you to send something in?

Sang S. Kim: I hear about Theater Pub all the time. Every social gathering, the two things that come up are Pint Size and Olympians. It’s the Equinox and Solstice of the Bay Area theater community. It’s like your life is measured in relationship to these events.

“How old’s your kid?”
“Two Pint Sizes and half an Olympian.”

What possessed me to submit? The spirit of Carol Channing. I know she’s still alive but that’s how awesome she is.

Megan Cohen: I’ve had a play in every Pint-Sized Festival so far– this is my fourth Pint-Sized Play. You’d think I’d be over the format by now, but I’m not! After writing a monologue (“BEEEEAAR!”) for last year’s festival, where it’s just one character hanging out at a table, I wanted to swing the pendulum way in the other direction and do a sweeping epic with a lot of action and movement, and see how far I could push that in the Pub setting. A situation only gets old if you stop trying new things.

What’s the hardest thing about writing a short play?

Sang Kim: Who say’s its hard. It’s not hard. Have you ever ridden the BART between Oakland and Embarcadero around midnight? A lot can happen in 10 minutes or less.

Megan Cohen: Remembering that it’s a short play, not a small play. It doesn’t have to be about small ideas or small themes, and it doesn’t have to be simple or cute. You can give the audience a real experience, a complex experience; you can make those ten minutes important.

What’s the best thing about writing a short play?

Megan Cohen:They’re easier to get produced. We’re all working with such limited resources in the arts, and it’s really a huge financial investment for a company to rehearse, produce, and promote a full evening-length play; one major failure can pretty much bankrupt a small theater company, and even if they survive, it can damage their reputation and credibility. Short play festivals are cheaper, faster, and more casual, and they usually draw an adventurous audience who don’t mind if they haven’t heard of the writer, the director, or the actors before, which means companies can take risks on new and emerging artists. It’s still really competitive to get a short script chosen for production, (there are so many playwrights in the world!), but it’s much less competitive than getting a long script accepted. So, the best thing about writing short plays is knowing that they’re easier to get produced, and there’s a better chance the play will get to an audience instead of sitting in a drawer.

Sang Kim: I like to get in late and leave early. This is not good advice outside short plays though.

Who do you think is a major influence on your work?

Sang Kim: David Ives. He really ought to sue me for how much he influences my writing.

This is Sang S. Kim, David. Remember His Face.

This is Sang S. Kim, David. Remember His Face.

Megan Cohen:Right now in general, I’m actively trying to steal as much as I can from David Lynch, Alan Ball, and JJ Abrams. I’ve read too much Shakespeare for that influence not to be present in everything I write; same goes for Tom Stoppard; same goes for Sondheim; couldn’t turn those formative influences off if I tried. This specific play, “The Last Beer In The World,” is an Arthurian grail quest written in rhyme. So, obviously, you’re gonna get some Monty Python in there!!! We’re talking about a whole tradition of quest stories behind this kind of format, though, which are like 100% absorbed by all of us through cultural osmosis, even if we’ve never read any Arthurian literature on purpose. Star Wars? Yeah. Harold and Kumar? Sure. Some book I read as a 12-year-old about flying cars? Probably.

If you could pick one celebrity to be cast in your show, who would it be and why?

Megan Cohen: I always say (you can check, it’s on my website at MeganCohen.com) that all the roles in all my plays are written for Madeline Kahn. I would love to see her as all three roles in “Last Beer!” If you mean a living celebrity… Michelle Obama. Imagine the publicity, plus you just know she’d be so nice to work with. Anyone who says they don’t want Michelle Obama in their play is lying.

Sang Kim: Daniel Day Lewis. He’s absolutely wrong for either a college kid or grandmother but I would just love to watch him prepare for the role.

What is a writing project you are currently working on?

Megan Cohen: I am prepping my solo adaptation of Homer’s “Odyssey,” and I hope you will come see the first sneak peek of it at the SF Olympians Festival on Nov 8th! I’m going to perform it myself, as a kind of bard from the very-near future, as though I’m speaking to you from tomorrow about one of the oldest stories humans have ever told! The Olympians showing will be an evening-length “highlight reel,” but I’m working towards eventually creating a 12-hour durational piece where I tell the entire story, beginning to end, over the course of a single waking day! It’s all in rhymed verse! It’s a very long-term project! I’m calling it “A Totally Epic Odyssey!” I’m very excited! You can tell how excited I am by all these exclamation marks!

Sang Kim: Finishing these 10 Questions. I’m really close to spending as much time on these questions as I did writing my Pint Size submission.

What’s next for you?

Megan Cohen: Yeah, you can get in on my NEXT thing at BetterThanTelevision.Com. I’m building a “transmedia” story experience where a GHOST haunts your SMARTPHONE for the month of October, leading up to Halloween. I’ve got a great cast, and I’m completely enthralled with this amazing new software platform called Conductrr, which we’re using to make it an interactive story, so that you can communicate with the characters by text and email and stuff like that. It’s a sort of spooky narrative about a Victorian-era magician’s assistant who haunts you until you help her restless spirit cross peacefully into the next world! It’s part game, part film, but it’s really a whole new kind of story experience; it’s social, and modern, lives in your pocket, and should have lots of surprises; hopefully it will actually be “Better Than Television!” Dot com. Better Than Television Dot Com. BetterThanTelevision.Com. BETTERTHANTELEVISION.COM. Ok, I’m done.

Megan Cohen: Better Than Everything

Megan Cohen: Better Than Everything

Sang Kim: I’m helping the people at Bay Area One Acts this year and I’ll probably contribute here and there but I’m actually thinking of taking a break for a while. I find I’m repeating myself and running out of things to write about. Seriously – I’ve been staring at the last two sentences for 10 minutes before I wrote this sentence.

So what upcoming shows or events are you most excited about in the Bay Area Theater Scene?

Megan Cohen: “The SF Olympians Festival: Trojan Requiem” (not just because my Odyssey is in it, I promise), and “Strangers, Babies” at Shotgun in Oct/Nov. I’m stoked for that, because “Any Given Day” by the same team (Dir Jon Tracy and Playwright Linda McLean) at the Magic was soooooo unique, it had this kind of delicacy that really wasn’t like anything else I’d ever seen.

Sang S. Kim: I just looked at my Facebook Event page so I’ll go ahead and plug the next two shows I’m seeing which are “Book of Liz” at Custom Made and “Age of Beauty” at Exit.

What’s your favorite beer?

Sang Kim: I’m actually drinking cider these days. I’ve been having the worse dreams when I drink beer. Like Lars Von Trier directed dreams.

Megan Cohen: If I’m buying, PBR. If you’re buying, two PBRs. If you are buying and have a good job, Russian River’s “Consecration.”

You may have heard it’s our last show at Cafe Royale. What do you look forward to for the future of Theater Pub?

Sang Kim: I’m looking forward to taking advantage of the move to bring even more new people. Also, I look forward to not having to worry about drinks falling on my head because someone forgot how gravity works.

Megan Cohen: Keeping the dream alive with “SATURDAY WRITE FEVER!” It’s a free monthly playmaking party at the Exit Theater Cafe, co-produced by Theater Pub and the Exit, and co-hosted by me and Pub founder Stuart Bousel. On the third Saturday of the month, everyone comes at 8:30pm to hang out and get a drink, then at 9pm, writers pull prompts from a hat and take a 30 minute “playwrighting sprint” to each write a new original monologue! At 9:30pm, brave actors read the monologues for the crowd. It’s fun, you should come, the writing is good, the acting is good, it’s friendly and lively, there are cheap beers or champagne cocktails, and absolutely everyone’s attractive and well-dressed. If you follow SF Theater Pub on Facebook or Twitter, you’ll hear about it when it’s happening. You should follow SF Theater Pub on face so you can know about SATURDAY WRITE FEVER, and about other such things, because I can tell from the fact that you’re still reading this article that you are definitely someone who likes to know about things.

Don’t miss Pint Sized Plays IV, playing five times this month: July 15, 16, 22, 29 and 30, always at 8 PM, only at the Cafe Royale! The show is free and no reservations are necessary, but we encourage you to get there early because we will be full!

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One comment on “Introducing The Writers of Pint Sized Plays IV! (Part Three)

  1. […] Pretty legit soundbyte, right?  You can read the rest of the interview on the San Francisco Theater Pub Blog. […]

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