Katja Rivera: Reigning Orpheus Interpreter Of The Bay Area

We’re doing a double post today because Orpheus is part of a pair and so is our director du jour, Katja Rivera! She’s not only directed tonight’s Theater Pub, but also directed the recently opened EURYDICE at Custom Made Theater Company. We wanted to know what it’s like to have the same story so much on the brain and with a headshot this charming we think you’ll agree there’s always room for quality time with Katja.

Seriously. How can you not live this smile?

Seriously. How can you not love this smile?

So, how did you end up with your hands full of Orpheus and Eurydice?

Ah, synchronicity. Marissa Skudlarek had been working on her translation of Orphee at the same time I was working on Eurydice at Custom Made, so she thought it would be fun to have me do both.

And how did you get involved with this reading?

Lovely Marissa asked me. I had directed a play of hers at last year’s Pint Sized Festival (“Beer Theory”), and she felt I’d be a particularly good match. How could I say no?

What do you consider the major differences between Sarah Ruhl’s version of the story and Cocteau’s?

Ruhl uses the myth to explore the grief she’s experienced since her father’s death, and really, to get a chance to spend some more time with her pops. It’s poetic, visceral. It reminds me of of Alice in Wonderland. Cocteau’s version explores the myth surrealistically, and focuses more on the relationship between Eurydice and Orphee. And it has a happier ending.

Is there anything that stands out to you as a real strength of Coctaeu’s vision?

The element of magic and carnival, which in a full production would be a blast to explore.

What are some of the differences between directing a reading and directing a show?

Oh my goodness. Readings are instant magic. You throw your instincts at the piece and–go! A show you’ve got a longer period to let the collaboration stew and get rich. I’ve loved watching how Jessica Rudholm’s performance in Eurydice has become more and more nuanced.

We noticed you are using some of your custom made cast (Jessica, Jeremy Parkin, Stefin Collins) in this reading- any particular reasons behind that?

They are good, reliable actors who fit the roles. And I loved hearing echoes of lines from Eurydice as we rehearsed Orphee. My own private joke.

What’s next for you? Any more trips to the underworld in your future?

Next, I am directing at Playgrounds Best Of Festival opening on May 11. And the I am going to Washington DC to see my daughter graduate from law school!

When enjoying a dramatic reading at the Cafe Royale, what’s your favorite thing to get from the bar?

Ginger Beer!

Don’t miss Orphee, for one night only, tonight at Cafe Royale at 8 PM! And dont’ miss Eurydice, playing all month at Custom Made Theater Company!

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