Evan Johnson chronicles the journey of his new play, Pansy, from concept to production.
A google search for “how to freeze time” led me to www.spellsofmagic.com where a spell simply referred to as “Freeze Time Spell” instructed me further. The site states that with “strong focus” one can actually stop time by saying the following words, with eyes closed and a strong visualization of a clock ticking:
“Time stand still I order you,
no minutes pass until I’m through,
doing what I have to do,
Time stand still I order you”
When would you use this spell? As a parlor trick? To plan your escape?
In PANSY there is a conscious play of time, namely a 20 year span between the two lives I’m exploring; Peter Pansy in 1993 and Michael Darling in 2013. With the theatrical device of Peter Pansy’s VHS video footage, Michael rewinds and plays and fast forwards until he reaches (in the climax of the piece) a personal moment of pause.
A couple days ago I was sitting at Cafe Flore with Ben Randle, my director and Zack Kasten our Videographer/Video Artist extraordinaire. Zack was talking about ways we could get the effect of a giant hook dragging Peter Pansy offstage, which was something I had written into the script without a real clear plan of execution. He suggested stop motion animation. Immediately Ben and I said “Yes!” because we knew how right on the idea was. Our plan now is to shoot all the video elements mid April so we have them to rehearse with in May. Shadow hook stop motion animation sequence included.
Zack’s help with video is going to be a tremendous asset to us, since the video elements are so crucial in telling this story. We aren’t making a show with cool multimedia effects just for the sake of mixing mediums; rather, the video and technology in PANSY are truly plot driven and integral to the action.
For more about Zack, check out the trailer for his film “The Perfect Hello” here: http://vimeo.com/zackkasten
In addition to a new Video Artist collaborator in place, I also want to take time to announce we’ve been super fortunate to score an amazing Sound Designer, Teddy Hulsker! Teddy’s work has been heard around the Bay Area at Box Car Theatre’s “Buried Child” and “A Lie of the Mind” as well as Mark Jackson’s “Woyzeck” for Shotgun Players and currently at Z Space in Mugwumpin’s “The Great Big Also.” Here’s some of Teddy’s (bad ass) sound work on soundcloud: http://soundcloud.com/teddy-hulsker
And lastly, before I bow out on this blog-
Ben and I also met with our friend Cabure (Shot In The City) to discuss promotional images for PANSY and we are taking photos next week so stay tuned! Hopefully we’ll have some fun images to share next time I write. Cabure was our first choice to photograph Peter Pansy for the promo shoot because of his fabulous eye and nightlife/party flier sensibilities. Here’s Shot In The City on Facebook: https://www.facebook.com/pages/Shot-In-The-City/225421338535
Cheers everyone! Happy Spring!
– Evan, the Pansy