Pint Sized Plays Interviews 4: Megan Cohen and Sunil Patel

Two more playwrights tell all, just in time for your July 4th celebrations!

So how did you hear about Theater Pub’s Pint-Sized Play Festival and what possessed you to send something in?

Sunil Patel: I really enjoyed the first Pint-Sized, and I was in the second Pint-Sized. Last year, I did submit a short play about two superheroes in a bar that I do like but, in retrospect, didn’t really fit in the festival. So, having seen two festivals, I thought about what sort of play would really be appropriate in a festival of shows centered around drinking beer, especially considering that I don’t drink. And it’s funny that you used the word “possessed,” because that’s what happened: I was possessed by this image of a guy talking to a giant beer that is trying to convince him to drink it, along with the title Man vs. Beer. I thought it would be a fun contrast to submit a piece about not drinking.

Megan Cohen: This is my third year having a play in Pint-Sized. I work with Theater Pub a lot, but Pint-Sized tends to be my favorite show of the year because it really makes the most of the bar setting. Since all the shorts in the evening are meant to happen in a bar, it’s a totally immersive theater experience– the festival really invites the audience to live inside the plays, which I love.

What’s the hardest thing about writing a short play?

Sunil Patel: You have such a short time to develop your characters, you need to make every word count. You want your characters to have an arc, but you want it to feel natural and not rushed, even though any change will have to occur in a few minutes, rather than over an hour or two.

Sunil Patel

Megan Cohen: People are less amazed afterwards than if you’d written a long play. A short one’s not actually easier– it’s a lot quicker, but in the time you spend writing and editing, it’s just as difficult.

What’s the best thing about writing a short play?

Megan Cohen: There are only two difficult things about writing: starting, and finishing. With a short play, finishing is easier than with a long piece just because you need less time– when you’re only aiming for a few pages, you have a genuine fighting chance of getting the whole thing done before you get distracted by a loud noise, hunger, facebook, a house fire, or by a so-called “better idea” that lures you away.

Sunil Patel: There are some concepts that are uniquely suited to short plays: no one wants to sit and watch a guy talking to a beer for two hours. Well, unless it were a really interesting, erudite beer. With this play, I wanted to make sure it didn’t overstay its welcome; it was nice to know that it was designed to have a specific trajectory that lasts a short amount of time. I could simply stay focused on that rather than worry about supporting characters, subplots, or other things that can complicate longer works.

Who do you think is a major influence on your work?

Megan Cohen: Writer/director Charles Ludlam (founder of the “Theater of the Ridiculous”), and the devising ensemble Forced Entertainment are really huge for me. Tom Stoppard and Stephen Sondheim are the writers I wanted to be when I grew up, so they’ll always loom large. I really love the pilot episode of “Lost,” it’s sort of like an hour-long narrative manifesto for me right now. Lanford Wilson, of course; he was one of the first “real” playwrights who I actually worked with in the same room, and my work doesn’t sound like his at all tonally but his empathy as a writer and as a person are definitely a heartbeat in terms of what motivates me to write.

Sunil Patel: Joss Whedon. I think I’ve picked up a lot of his rhythms and dialogue quirks, especially his use of humor (though I am perhaps more fond of puns). And we both like taking unusual, ridiculous situations and characters and treating them with sincerity.

Megan Cohen

If you could pick one celebrity to be cast in your show, who would it be and why?

Sunil Patel: Alison Brie as Beer! She’s hilarious, and she’s shown such range on Community and Mad Men (and she also had a small role in Scream 4, what the hell) that I think she could portray the different facets of Beer. Also, then I could meet Alison Brie. (Oh! Donald Glover as Teetotaler! Somebody make this happen.)

Megan Cohen: Well, our actor (Allison Page) is already pretty famous– she performed with Bill Irwin this year, and has been in viral videos that pretty much a zillion people have seen– so, this question is basically moot, ’cause I have a celebrity already. But I always say– and it’s true of this piece as well– all the roles in all my plays are written for Madeline Kahn.

What is a writing project you are currently working on?

Sunil Patel: Last year, I wrote the first act of an epic sci-fi drama called Gravity, and the second act was improvised, so I am trying to write my own second act. I am also working on a romantic comedy about a golem, tentatively titled The Dating of Gilgamesh.

Megan Cohen: So far this year I’ve written my first game, my first TV script, and my first screenplay; next, I’m planning to write my first good TV script, and maybe my first novel. I also have a lot of projects bubbling for next year that I can’t talk too much about, but expect some adventures in transmedia storytelling with live and online components… and I am revising two full-length plays and drafting a whole new one… the new one is probably the craziest thing I’ve ever written.

What’s next for you?

Sunil Patel: See above. I would love to finish both those projects this year, but life is busy!

Megan Cohen: Oh man, I am working on like seven hundred things– I blog about them at, and tweet about them @WayBetterThanTV, so you can always keep tabs on me there!

So what upcoming shows or events are you most excited about in the Bay Area Theater Scene?

Megan Cohen: Really excited for the San Francisco Olympians Festival this winter– my play Zeus is on Dec. 20th, but I’ll be coming to as many of the other shows as I possibly can. I love the diversity of voices in the festival, a lot of different viewpoints and styles at work.

Sunil Patel: Custom Made’s Merchant of Venice, because who doesn’t want to see American Psycho meets Mad Men? And Vamp’s It’s All in the Mix, because I have no idea what it is except this “DJ play” and I’ve never seen a play about a DJ. Oh, and Dark Room’s Princess Bride Live!

What’s your favorite beer?

Sunil Patel: Ginger.

Megan Cohen: Who’s buying? If it’s me, PBR. If it’s you, Consecration from Russian River Brewing.

Don’t miss the Pint Sized plays, opening July 16 and playing July 17, 23, 30 and 31 with a special performance at the Plough and the Stars on July 18. All the rest are at our usual stomping grounds, Cafe Royale, located at the corner of Post and Leavenworth in San Francisco’s lovely Tendernob neighborhood. Performances are free, no reservations necessary, but show up early and stay late- we’re bound to be sold out and the crowd is always the best part of Theater Pub!

2 comments on “Pint Sized Plays Interviews 4: Megan Cohen and Sunil Patel

  1. Well, now I HAVE to see it.

  2. […] Interview with me (and fellow festival playwright Sunil Patel) about our scripts and writing process. […]

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